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Significant Outfits: Almodóvar Wears Chanel
11 references·0 citing·25 second hop
Significant Outfits: Almodóvar Wears Chanel (2018)Significant Outfits: Almodóvar Wears Chan…Giorgio Armani: Empire of the Senses (2013)Giorgio Armani: Empire of the…Fashion Cultures Revisited (2013)Fashion Cultures RevisitedChanel: Couture and Industry (2011)Chanel: Couture and IndustryThe theater of truth: the ideology of (neo) baroque aesthetics (2010)The theater of truth: the ide…The language of fashion (2006)The language of fashionDe Sodoma a Chueca: Una historia cultural de la homosexualidad en España en el siglo XX (2005)De Sodoma a Chueca: Una histo…Undressing cinema: clothing and identity in the movies (1998)Undressing cinema: clothing a…Desire Unlimited: The Cinema of Pedro Almodóvar (1994)Desire Unlimited: The Cinema …Blood cinema: the reconstruction of national identity in Spain (1994)Blood cinema: the reconstruct…Chanel en la intimidad (1991)Chanel en la intimidadChanel: A Woman of her Own (1990)Chanel: A Woman of her OwnCouture clothes for show: the Incorporated Society of London Fashion Designers promotional designs for British cotton, wool and synthetic fibres, 1940s–1960s (2021)'Make Lisle the Style': The Politics of Fashion in the Japanese Silk Boycott, 1937-1940 (2005)Media and Violence: Gendering the Debates (2005)Dress, transformation, and conformity in the heavy rock subculture (2015)“Green Is the New Black”: Celebrity Chic and the “Green” Commodity Fetish (2008)From “Green Blur” to Ecofashion: Fashioning an Eco-lexicon (2008)Jokes in popular culture: the characterisation of the accountant (2012)Discourse and the film text: Four readings ofCarmen (1994)Memory and Modernity in Democratic Spain: The Difficulty of Coming to Terms with the Spanish Civil War (2007)Concepts of transnational cinema: towards a critical transnationalism in film studies (2010)The Emotional Imperative: Almodovars's Hable con ella and Television Espanola's Cuentame como paso (2004)‘Let's get laid because it's the end of the world!’: sexuality, gender and the Spanish Left in late Francoism and theTransición (2014)Art as a guaranty of sanity (2014)Visibilidad y escena gay masculina en la ciudad española (2007)Is He a “Social Danger”? The Franco Regime’s Judicial Prosecution of Homosexuality in Málaga under the Ley de Vagos y Maleantes (2015)Geografías de la diversidad sexogenérica más allá de la gran ciudad: experiencias, discursos y prácticas en dos ciudades medianas de Cataluña (2019)Fashionable Dunedin and “Rooted Cosmopolitanism” in the Twenty-First Century: NOM*d and Company of Strangers (2016)Fashioning the sixties: fashion narratives of older women (2016)Modetheorien und Fashion Studies (2016)Baroque Worlds of the 21st Century (2012)Reflections of Isabella: Hermaphroditic Mirroring in Mirtilla and Giovan Battista Andreini’s Amor nello specchio (2015)Exploring the craft of visual accounts through arts: Fear, voids and illusion in corporate reporting practices (2022)Fashion in Shanghai : the designers of a new economy of style (2014)Cosmetic Surgery in Paris in 1926: The Case of the Amputated Leg (2004)Critics Scoffed but Women Bought: Coco Chanel's Comeback Fashions Reflect the Desires of the 1950s American Woman (2011)
this work references cited by second hop

References

  • 1994Blood cinema: the reconstruction of national identity in Spain270 cited
  • 1998Undressing cinema: clothing and identity in the movies180 cited
  • 2006The language of fashion115 cited
  • 1994Desire Unlimited: The Cinema of Pedro Almodóvar62 cited
  • 2005De Sodoma a Chueca: Una historia cultural de la homosexualidad en España en el siglo XX56 cited
  • 2010The theater of truth: the ideology of (neo) baroque aesthetics51 cited
  • 1990Chanel: A Woman of her Own8 cited
  • 2013Fashion Cultures Revisited7 cited
  • 2013Giorgio Armani: Empire of the Senses6 cited
  • 2011Chanel: Couture and Industry3 cited
  • 1991Chanel en la intimidad2 cited

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