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Pedestrian Dharma: Slowness and Seeing in Tsai Ming-Liang’s Walker
16 references·0 citing·33 second hop
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References

  • 2009The Making of Buddhist Modernism661 cited
  • 1998Critical Terms for Religious Studies572 cited
  • 2006The Way Hollywood Tells It431 cited
  • 2005Critical Terms for the Study of Buddhism146 cited
  • 2014Tsai Ming-Liang and a Cinema of Slowness108 cited
  • 2008Mahayana Buddhism97 cited
  • 2014From Comrades to Bodhisattvas70 cited
  • 2016The Oxford Handbook of Contemporary Buddhism60 cited
  • 1989Buddhist Allegory in theJourney to the West31 cited
  • 2009The Routledge Companion to Religion and Film26 cited
  • 2015Silver Screen Buddha18 cited
  • 2016Recovering Buddhism in Modern China11 cited
  • 2007Zen Ritual11 cited
  • 2017Seeing Like the Buddha9 cited
  • 2014What is a ‘Buddhist Film?’8 cited
  • 2015Religion and Science in the Mirror of Buddhism7 cited

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