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Late Brahms, Ancient Modes
7 references·1 citing·27 second hop
Late Brahms, Ancient Modes (2018)Late Brahms, Ancient ModesSamuel Johnson, the Ossian Fraud, and the Celtic Revival in Great Britain and Ireland (2009)Samuel Johnson, the Ossian Fr…Studies in Music with Text (2006)Studies in Music with TextLateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism (2006)Lateness and Brahms: Music an…Plagal Harmony as Other: Asymmetrical Dualism and Instrumental Music by Brahms (2005)Plagal Harmony as Other: Asym…Schumann's Ossianic Manner (1998)Schumann's Ossianic MannerBrahms's Choral Compositions and His Library of Early Music (1984)Brahms's Choral Compositions …Theory of Harmony (1978)Theory of HarmonyRethinking Brahms (2022)Rethinking BrahmsThe Second Sex (1949)Women, Fire, and Dangerous Things (1987)The Bifocal Close and the Evolution of the Viennese Classical Style (1989)Brahmsian Articulation (2021)‘Nineteenth‐Century’ Subdominants (2022)James Macpherson: The Poems of Ossian and related works (1996)Distance and Disembodiment: Harps, Horns, and the Requiem Idea in Schumann and Brahms (2005)Unity and Diversity in the European Iron Age: Out of the Mists, Some Clarity? (2009)Rethinking Mendelssohn (2020)Story and Discourse: Narrative Structure in Fiction and Film (1979)The structural transformation of the public sphere: an inquiry into a category of bourgeois society (1990)Specters of Marx: The State of the Debt, the Work of Mourning, and the New International (2010)Brahms's Performances of Early Choral Music (1984)The Finale of Brahms's Fourth Symphony: The Tale of the Subject (1989)Brahms's Elegies (2019)Atonal prolongational structure (1989)Uncanny Resemblances: Tonal Signification in the Freudian Age (2004)‘Creative collaboration’: an ‘eminence’ study of teaching and learning in music composition (2006)Historical geography 2008—2009: Mundus alter et idem (2009)A NETWORKS-SCIENCE INVESTIGATION INTO THE EPIC POEMS OF OSSIAN (2016)Danse Macabre (2019)Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms (2013)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Cross-Type Transformations and the Path Consistency Condition (2007)Tonality and transformation (2012)Music, Modernity, and God (2013)
this work references cited by second hop

References

  • 1978Theory of Harmony208 cited
  • 2006Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism143 cited
  • 1998Schumann's Ossianic Manner99 cited
  • 2006Studies in Music with Text82 cited
  • 2009Samuel Johnson, the Ossian Fraud, and the Celtic Revival in Great Britain and Ireland68 cited
  • 1984Brahms's Choral Compositions and His Library of Early Music41 cited
  • 2005Plagal Harmony as Other: Asymmetrical Dualism and Instrumental Music by Brahms25 cited

Cited by

  • 2022Rethinking Brahms11 cited

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