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Musical Performer’s Corporeal Identity and Its Communicative Functions · Study

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ChapterMusical Performer’s Corporeal Identity and Its Communicative Functions

Lina Navickaitė-Martinelli2018

Chapter2018

Musical Performer’s Corporeal Identity and Its Communicative Functions

Lina Navickaitė-Martinelli

2 citations·0/0 files stored·Numanities - arts and humanities in progress

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Musicology and Musical Analysis Arts and Performance Studies Semiotics and Representation Studies

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References

1991Gender Trouble: Feminism and the Subversion of Identity 1999Musicking: the meanings of performing and listening 2000Musicking: The Meanings of Performing and Listening 1981Linguistics and Poetics 1992Feminine Endings: Music, Gender, and Sexuality 2012The Oxford Handbook of Culture and Psychology 2005Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert 2005Seeing music performance: Visual inﬂuences on perception and experience

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Details

Year2018

Typechapter

Published2018-07-10

VenueNumanities - arts and humanities in progress

ISSN-L2510-442X

Languageen

Citations2

Files0 public / 0

ShelfMusicology and Musical Analysis

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doi10.1007/978-3-319-91986-7_9

openalex_workW2839362604

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