Das neue Triptychon von Hieronymus Bosch als Allegorie über den "unnützen Reichtum"

Johannes Hartau

3 citations0/0 files storedZeitschrift für Kunstgeschichte

No readable copy stored yet — this record is metadata only.

No open-access location is known for this record yet.

Literature note Cite in a project Citation map

Historical Art and Architecture Studies Renaissance and Early Modern Studies Visual Culture and Art Theory

Abstract

Four scattered paintings by Hieronymus Bosch originally belonged to an allegorical triptych. Scientific evidence has shown that the paintings, The Ship of Fools (Louvre, Paris), The Allegory of Intemperance (Yale University Art Gallery, New Haven), Death of the Miser (National Gallery of Art, Washington), and The Peddler (Museum Boymans–van Beuningen, Rotterdam), stem from the same tree trunk. The triptych's middle panel is missing. The writer examines the four works and shows how they come together to form an allegory of wastefulness and miserliness.

Paper brief

Loading…

Cite this work

Citation unavailable for this work.

BibTeX RIS CSL-JSON

No public copy is stored for this record, so only the metadata is cited.

Citations in this library

Citation map →

Stored only when both papers are in the corpus — 3 citations exist upstream.

Cited by

2019Die Kunst vom Altern – Altersbilder in der Kunst

Imported from OpenAlex (CC0) — nothing here is generated.