SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Synthetic worlds: nature, art and the chemical industry
0 references·16 citing·46 second hop
Synthetic worlds: nature, art and the chemical industry (2007)Synthetic worlds: nature, art and the che…Filling the hole? On new geographies of the subsurface (2023)Filling the hole? On new geog…The Artificial World (2021)The Artificial WorldPine fresh: the cultural and medical context of pine scent in relation to health—from the forest to the home (2021)Pine fresh: the cultural and …MATERIAL WITNESS (2020)MATERIAL WITNESSThe Transparency of Color: Aesthetics, Materials, and Practices of Hand Coloring Photographs between Rochester and Yokohama (2015)The Transparency of Color: Ae…Standards of Beauty: Considering the Lives of W. A. Poucher (2015)Standards of Beauty: Consider…More-than-human affinitive listening (2015)More-than-human affinitive li…The temporalities of intermediality: Colour in cinema and the arts of the 1920s (2013)The temporalities of intermed…‘Visionary rather than practical’: craft, art and material efficiency (2013)‘Visionary rather than practi…The Ballistic Flight of an Automatic Duck (2012)The Ballistic Flight of an Au…Rethinking Reductionism, or, the Transformative Work of Making the Same (2012)Rethinking Reductionism, or, …Afterimages of Steel (2012)Afterimages of SteelShakespeare, Alchemy and the Creative Imagination: The Sonnets and A Lover's Complaint (2011)Shakespeare, Alchemy and the …Cultural Technologies and the “Evolution” of Technological Cultures (2009)Cultural Technologies and the…THE MATERIAL PRACTICES OF GLAMOUR (2008)THE MATERIAL PRACTICES OF GLA…Between Reason and Sensation: Antipodean Artists and Climate Change (2007)Between Reason and Sensation:…The Civilization of the Renaissance in Italy (1946)Re-Visioning Psychology (1976)The Book of Memory: A Study of Memory in Medieval Culture (1991)Recent Studies in the English Renaissance (2012)Paracelsian Medicine and Female Creativity: Aemilia Lanyer's Salve Deus Rex Judaeorum (2013)Chaos, territory, art: Deleuze and the framing of the earth (2008)Being alive essays on movement, knowledge and description (2011)Being Alive (2011)Withdrawing from atmosphere: An ontology of air partitioning and affective engineering (2015)Doing curious research to cultivate tentacular becomings (2020)Listening-with the subaltern: Anthropocene, Pluriverse and more-than-human agency (2022)The Nature and Art of Workmanship (1969)The shock of the old: technology and global history since 1900 (2007)Crafted places/places for craft: Pop-up and the politics of the ‘crafted’ city (2017)Capital: A Critique of Political Economy (2020)An Exploration of the Relevance between Sustainable Craft and Service Design Based on a Literature Review Study (2023)The Origins of Totalitarianism (1951)The Second Self: Computers and the Human Spirit (1986)[In]visible [in]tangibles: Visual portraits of the business élite (2009)Visual Management Studies: Empirical and Theoretical Approaches* (2012)Visual rhetoric and the case of intellectual capital (2014)The Origins of Totalitarianism (2018)The Logic of Scientific Discovery. (1959)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)We have never been modern (1994)Counterrevolution and Revolt. (1973)Universe of the Mind: A Semiotic Theory of Culture (1993)A Cultural History of the Hologram (2008)The Implicit Body as Performance: Analyzing Interactive Art (2011)Tilting at Windmillsin a changing climate: a performative walking practice and dance-documentary film as an embodied mode of engagement and persuasion (2012)An introduction to cybernetics (1956)Simulacra and Simulation (1995)Toward a Theory of Gender (2013)Clean: a history of personal hygiene and purity (2008)The Mushroom at the End of the World (2015)The Mushroom at the End of the World: On the Possibility of Life in Capitalist Ruins (2015)Experimental atmospherics: a multi-sensory perspective (2022)Archaeology of Knowledge (1970)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Meeting the Universe Halfway: Quantum Physics and the Entanglement of Matter and Meaning (2007)WITNESSING AFTER THE HUMAN (2022)Counterfactual future-thinking (2023)Deep mapping in geography education: learning about a distant place and people in a summer school as a ‘committed outlier’ (2024)Imperial leather: race, gender and sexuality in the colonial contest (1996)Poetics of Relation (1997)A Billion Black Anthropocenes or None (2018)
this work references cited by second hop

References

No references inside the corpus for this window.

Cited by

  • 2020MATERIAL WITNESS129 cited
  • 2008THE MATERIAL PRACTICES OF GLAMOUR97 cited
  • 2012Rethinking Reductionism, or, the Transformative Work of Making the Same52 cited
  • 2012The Ballistic Flight of an Automatic Duck49 cited
  • 2015More-than-human affinitive listening38 cited
  • 2023Filling the hole? On new geographies of the subsurface22 cited
  • 2021Pine fresh: the cultural and medical context of pine scent in relation to health—from the forest to the home21 cited
  • 2011Shakespeare, Alchemy and the Creative Imagination: The Sonnets and A Lover's Complaint16 cited
  • 2007Between Reason and Sensation: Antipodean Artists and Climate Change16 cited
  • 2013‘Visionary rather than practical’: craft, art and material efficiency12 cited
  • 2012Afterimages of Steel12 cited
  • 2009Cultural Technologies and the “Evolution” of Technological Cultures12 cited
  • 2021The Artificial World11 cited
  • 2015Standards of Beauty: Considering the Lives of W. A. Poucher10 cited
  • 2015The Transparency of Color: Aesthetics, Materials, and Practices of Hand Coloring Photographs between Rochester and Yokohama

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

9 cited
  • 2013The temporalities of intermediality: Colour in cinema and the arts of the 1920s7 cited