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Technique de mon langage musical
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Cited by

  • 1999Scales, Sets, and Interval Cycles: A Taxonomy55 cited
  • 2014The Spectral Piano: From Liszt, Scriabin, and Debussy to the Digital Age46 cited
  • 1998Pitch-Class Set Multiplication in Theory and Practice45 cited
  • 2016Un cri de passion ne s'analyse pas: Olivier Messiaen's Harmonic Borrowings from Jules Massenet42 cited
  • 2003Combinatorial Space in Nineteenth- and Early Twentieth-Century Music Theory34 cited
  • 2017Exploring the space of perfectly balanced rhythms and scales27 cited
  • 2002Twelve-tone theory16 cited
  • 2009Mathematics and the Twelve-Tone System: Past, Present, and Future11 cited
  • 1977A model for pattern perception with musical applications part II: The information content of pitch structures10 cited
  • 2022The line of fifths and the co-evolution of tonal pitch-classes9 cited
  • 2023Olivier Messiaen's Turangalîla-symphonie9 cited
  • 2016Messiaen the Borrower: Recomposing Debussy through the Deforming Prism8 cited
  • 2002Olivier Messiaen’s Analysis Seminar and the Development of Post–War Serial Music7 cited
  • 2017Olivier Messiaen's Catalogue d'oiseaux: From Conception to Performance5 cited

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2008
Claude Vivier, Siddhartha, Karlheinz Stockhausen, la nouvelle simplicité et le râga
5 cited
  • 2014Mathematics and group theory in music5 cited