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Cited by

• 2006Multiple identifications and the dialogical self: urban Maori youngsters and the cultural renaissance55 cited
• 2019Metaphor in Homer38 cited
• 2005He Āpiti Hono, He Tātai Hono: That Which is Joined Remains an Unbroken Line: Using Whakapapa (Genealogy) as the Basis for an Indigenous Research Framework23 cited
• 2002W # hi ngaro (the lost portion): Strengthening relationships between people and wetlands in north Taranaki, New Zealand18 cited
• 2006Memory and monumentality in the Rarotongan landscape18 cited
• 2016Globalizing Māori Museology: Reconceptualizing Engagement, Knowledge, and Virtuality through Mana Taonga17 cited
• 2019The Anthropology of Art, After the End of Art: Contesting the Art-Culture System15 cited
• 2013Mana Taonga: Connecting Communities with New Zealand Museums through Ancestral Māori Culture14 cited
• 2016Western Cultural Psychology of Religion: Alternatives to Ideology13 cited
• 2007Tongan Figures: From Goddesses to Missionary Trophies to Masterpieces11 cited
• 2008Alternative Market Values?: Interventions into Auctions in Aotearoa/New Zealand11 cited
• 2020Restitution or a Loss to Science? Understanding the Importance of Māori Ancestral Remains11 cited
• 2006A Case Study: The Dilemmas of Biculturalism in Education Policy and Visual Arts Education Practice in Aotearoa-New Zealand