SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Comparing the effectiveness of hyperspectral imaging and Raman spectroscopy: a case study on Armenian manuscripts
16 references·2 citing·29 second hop
Comparing the effectiveness of hyperspectral imaging and Raman spectroscopy: a case study on Armenian manuscripts (2018)Comparing the effectiveness of hyperspect…Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)Raman spectroscopic library o…Visible and infrared imaging spectroscopy of paintings and improved reflectography (2016)Visible and infrared imaging …Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Reflectance Hyperspectral Ima…Hyperspectral imaging applied to the analysis of Goya paintings in the Museum of Zaragoza (Spain) (2015)Hyperspectral imaging applied…Identification of pigments by multispectral imaging; a flowchart method (2014)Identification of pigments by…Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry (2014)Characterisation of colourant…In-situ identification of copper-based green pigments on paintings and manuscripts by reflection FTIR (2013)In-situ identification of cop…The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields (2012)The on‐site/remote Raman anal…Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Advances in multispectral and…A Decade of Raman Spectroscopy in Art and Archaeology (2007)A Decade of Raman Spectroscop…Raman imaging of ancient rust scales on archaeological iron artefacts for long‐term atmospheric corrosion mechanisms study (2006)Raman imaging of ancient rust…Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Multispectral and hyperspectr…Raman microscopy in archaeological science (2004)Raman microscopy in archaeolo…A novel hyper-spectral imaging apparatus for the non-destructive analysis of objects of artistic and historic value (2003)A novel hyper-spectral imagin…Ten years of art imaging research (2002)Ten years of art imaging rese…Pigment identification by spectroscopic means: an arts/science interface (2002)Pigment identification by spe…A combined approach to the vibrational characterization of medieval paints on parchment: Handheld Raman spectroscopy and micro‐SORS (2024)A combined approach to the vi…Laser-based analytical techniques in cultural heritage science – Tutorial review (2023)Laser-based analytical techni…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Modern analytical methods in art and archaeology (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)National Gallery Technical Bulletin (1979)Use of imaging spectroscopy, fiber optic reflectance spectroscopy, and X-ray fluorescence to map and identify pigments in illuminated manuscripts (2014)Hyperspectral imaging combined with data classification techniques as an aid for artwork authentication (2017)Corrosion of iron archaeological artefacts in soil: characterisation of the corrosion system (2004)Buried iron archaeological artefacts: Corrosion mechanisms related to the presence of Cl-containing phases (2007)Raman Studies of Corrosion Layers Formed on Archaeological Irons in Various Media (2009)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Practical notes on ultraviolet technical photography for art examination (2015)Pigments Checker version 3.0, a handy set for conservation scientists: A free online Raman spectra database (2016)Differentiation of antique ceramics from the Raman spectra of their coloured glazes and paintings (2001)In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach (2010)Characterisation of a portable Raman spectrometer for in situ analysis of art objects (2013)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Analytical chemistry in the field of cultural heritage (2015)UV-Vis spectroscopy (2018)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)On the stability of mediaeval inorganic pigments: a literature review of the effect of climate, material selection, biological activity, analysis and conservation treatments (2017)Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Hyper-Spectral Imaging Technique in the Cultural Heritage Field: New Possible Scenarios (2020)The invention of blue and purple pigments in ancient times (2006)Raman spectroscopy for the investigation of carbon‐based black pigments (2015)Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)
this work references cited by second hop

References

  • 2011Advances in multispectral and hyperspectral imaging for archaeology and art conservation496 cited
  • 2007A Decade of Raman Spectroscopy in Art and Archaeology383 cited
  • 2006Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications363 cited
  • 2004Raman microscopy in archaeological science351 cited
  • 2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry345 cited
  • 2016Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts323 cited
  • 2014Identification of pigments by multispectral imaging; a flowchart method257 cited
  • 2006Raman imaging of ancient rust scales on archaeological iron artefacts for long‐term atmospheric corrosion mechanisms study242 cited
  • 2002Pigment identification by spectroscopic means: an arts/science interface183 cited
  • 2012The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields168 cited
  • 2002Ten years of art imaging research139 cited
  • 2016Visible and infrared imaging spectroscopy of paintings and improved reflectography136 cited
  • 2003A novel hyper-spectral imaging apparatus for the non-destructive analysis of objects of artistic and historic value133 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2018Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts120 cited
  • 2013In-situ identification of copper-based green pigments on paintings and manuscripts by reflection FTIR107 cited
  • 2015Hyperspectral imaging applied to the analysis of Goya paintings in the Museum of Zaragoza (Spain)100 cited
  • Cited by

    • 2024A combined approach to the vibrational characterization of medieval paints on parchment: Handheld Raman spectroscopy and micro‐SORS13 cited
    • 2023Laser-based analytical techniques in cultural heritage science – Tutorial review11 cited