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UMA CIDADE ENTRE SONHOS DE NÉON. ENCONTROS, TRANSAÇÕES E FRUIÇÕES COM AS CULTURAS MUSICAIS URBANAS CONTEMPORÂNEAS
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UMA CIDADE ENTRE SONHOS DE NÉON. ENCONTROS, TRANSAÇÕES E FRUIÇÕES COM AS CULTURAS MUSICAIS URBANAS CONTEMPORÂNEAS (2018)UMA CIDADE ENTRE SONHOS DE NÉON. ENCONTRO…Cultural sociology and new forms of distinction (2015)Cultural sociology and new fo…The Festivalization of Culture (2014)The Festivalization of CulturePop-rock music: aesthetic cosmopolitanism in late modernity (2014)Pop-rock music: aesthetic cos…EMERGING FORMS OF CULTURAL CAPITAL (2013)EMERGING FORMS OF CULTURAL CA…Social Stratification and Cultural Consumption: Music in England (2006)Social Stratification and Cul…Music Scenes: Local, Translocal, and Virtual. (2006)Music Scenes: Local, Transloc…Arts participation as cultural capital in the United States, 1982–2002: Signs of decline? (2004)Arts participation as cultura…CONSUMPTION AND THE PROBLEM OF VARIETY: CULTURAL OMNIVOROUSNESS, SOCIAL DISTINCTION AND DINING OUT (1999)CONSUMPTION AND THE PROBLEM O…What about the univores? Musical dislikes and group-based identity construction among Americans with low levels of education (1997)What about the univores? Musi…Dissonant Identities: The Rock'n'Roll Scene in Austin, Texas (1996)Dissonant Identities: The Roc…Changing Highbrow Taste: From Snob to Omnivore (1996)Changing Highbrow Taste: From…The Production of Culture: Media and the Urban Arts (1992)The Production of Culture: Me…Rock Culture in Liverpool: Popular Music in the Making. (1992)Rock Culture in Liverpool: Po…Postmodernism, or, the Cultural Logic of Late Capitalism (1992)Postmodernism, or, the Cultur…Classification in Art (1987)Classification in ArtLes trois états du capital culturel (1979)Les trois états du capital cu…Reproduction in Education, Society and Culture (1978)An Invitation to Reflexive Sociology. (1993)Social space and cultural class divisions: the forms of capital and contemporary lifestyle differentiation (2017)Conceptualizing digital capital (2018)Distinction: A Social Critique of the Judgement of Taste* (2018)Class, Control, and Classical Music (2019)Purity and Danger: An Analysis of Concepts of Pollution and Taboo (1967)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)Subculture: The Meaning of Style (1995)Culture, Class, and Connections (1996)Legitimacy as a Social Process (2006)Selections from the prison notebooks (2020)The Strength of Weak Ties (1973)Short cuts to safety: Risk and 'rules of thumb' in accounts of food choice (2003)The Omnivore Thesis Revisited: Voracious Cultural Consumers (2006)Modes of openness to cultural diversity: Humanist, populist, practical, and indifferent (2008)The Long Revolution (1961)Writing Culture: The Poetics and Politics of Ethnography (1986)Culture shift in advanced industrial society (1990)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Cultural capital in educational research: A critical assessment (2003)Talk Is Cheap (2014)Reproduction in Education, Society and Culture (1979)Postmodernism, or, The cultural logic of late capitalism (1991)Who Studies the Arts and Sciences? Social Background and the Choice and Consequences of Undergraduate Field of Study (2006)Understanding Cultural Omnivorousness: Or, the Myth of the Cultural Omnivore (2007)Cultural capital today (2008)Risk Society, Towards a New Modernity (1994)Modernity and Self-Identity: Self and Society in the Late Modern Age (2020)The Production of Culture Perspective (2004)From exclusive to inclusive elitists and further: Twenty years of omnivorousness and cultural diversity in arts participation in the USA (2005)Youth‐Subcultural Studies: Sociological Traditions and Core Concepts (2007)‘Insider Research’ in the Study of Youth Cultures (2005)Effects of group singing and performance for marginalized and middle-class singers (2005)Music Scenes: Local, Translocal, and Virtual (2011)Exploring the social capital grid: bonding, bridging, qualitative, quantitative (2007)Migration and Social Change: Some Conceptual Reflections (2010)Diversity, Social Capital, and Cohesion (2011)Conceptualizing Contemporary Health Lifestyles: Moving Beyond Weber (1997)Afrofuturism, science fiction, and the history of the future (2006)Aesthetics as Philosophy of Perception (2016)
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References

  • 1996Changing Highbrow Taste: From Snob to Omnivore2,443 cited
  • 1987Classification in Art1,214 cited
  • 1979Les trois états du capital culturel1,102 cited
  • 1992Postmodernism, or, the Cultural Logic of Late Capitalism844 cited
  • 2004Arts participation as cultural capital in the United States, 1982–2002: Signs of decline?495 cited
  • 2013EMERGING FORMS OF CULTURAL CAPITAL428 cited
  • 2006Social Stratification and Cultural Consumption: Music in England415 cited
  • 1992Rock Culture in Liverpool: Popular Music in the Making.301 cited
  • 1999CONSUMPTION AND THE PROBLEM OF VARIETY: CULTURAL OMNIVOROUSNESS, SOCIAL DISTINCTION AND DINING OUT295 cited
  • 2006Music Scenes: Local, Translocal, and Virtual.287 cited
  • 1996Dissonant Identities: The Rock'n'Roll Scene in Austin, Texas241 cited
  • 2014The Festivalization of Culture202 cited
  • 1997What about the univores? Musical dislikes and group-based identity construction among Americans with low levels of education194 cited
  • 1992The Production of Culture: Media and the Urban Arts191 cited
  • 2014Pop-rock music: aesthetic cosmopolitanism in late modernity181 cited

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Cultural sociology and new forms of distinction
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