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Exceptional, but not Exceptions: Public Exhibitions and the Rise of the Woman Artist in London and Paris, 1760–1830
16 references·1 citing·30 second hop
Exceptional, but not Exceptions: Public Exhibitions and the Rise of the Woman Artist in London and Paris, 1760–1830 (2018)Exceptional, but not Exceptions: Public E…The Family on Trial in Revolutionary France (2019)The Family on Trial in Revolu…Why Have There Been No Great Women Artists? (2018)Why Have There Been No Great …Inventing human rights: a history (2007)Inventing human rights: a his…The King's Artists: The Royal Academy of Arts and the Politics of British Culture 1760-1840 (2003)The King's Artists: The Royal…Britons : Forging the Nation, 1707-1837 (2003)Britons : Forging the Nation,…The Other Enlightenment: How French Women Became Modern (2001)The Other Enlightenment: How …Learning to Draw: Studies in the Cultural History of a Polite and Useful Art (2000)Learning to Draw: Studies in …The Pleasures of the Imagination: English Culture in the Eighteenth Century (1998)The Pleasures of the Imaginat…Only paradoxes to offer: French feminists and the rights of man (1996)Only paradoxes to offer: Fren…Painting for Money: The Visual Arts and the Public Sphere in Eighteenth- Century England. (1994)Painting for Money: The Visua…Golden age to separate spheres? A review of the categories and chronology of English women's history (1993)Golden age to separate sphere…The Family Romance of the French Revolution. (1992)The Family Romance of the Fre…Women and the Public Sphere in the Age of the French Revolution. (1991)Women and the Public Sphere i…The Royal Academy of Arts : a complete dictionary of contributors and their work from its foundation in 1769 to 1904. (1989)The Royal Academy of Arts : a…The Diary of Joseph Farington (1981)The Diary of Joseph FaringtonA SIMPLE MODEL OF LONDON'S IMPORTANCE IN CHANGING ENGLISH SOCIETY AND ECONOMY 1650–1750 (1967)A SIMPLE MODEL OF LONDON'S IM…Women's embroidered self‐portraiture in the late 18th century: Authorship, agency, and artistry (2021)Women's embroidered self‐port…The Cult of True Womanhood: 1820-1860 (1966)The Making of the English Working Class. (1966)Gender and the Public/Private Distinction in the Eighteenth Century: Some Questions about Evidence and Analytic Procedure (1995)The Cambridge Urban History of Britain (2000)The Industrious Revolution: List of Figures (2008)The Origin of the Family, Private Property and the State (2021)Humanitarianism and Empire: New Research Agendas (2012)The evolution of stories: from mimesis to language, from fact to fiction (2017)Design for service inclusion: creating inclusive service systems by 2050 (2018)The Profusion of Individual Roles and Identities in the Postwar Period (2002)Veiled Interventions in Pure Space (2007)Women and States: Norms and Hierarchies in International Society (2010)Before and Beyond Divergence (2011)The Climate of Rebellion in the Early Modern Ottoman Empire (2011)The Professionalization of Women Writers in Eighteenth-Century Britain (2005)Space-form and the acousmatic image (2007)The Anthropology of Texts, Persons and Publics (2007)A Bibliography of the Concept Offentlichkeit (1994)Noting the Mind: Commonplace Books and the Pursuit of the Self in Eighteenth-Century Britain (2004)The History of Masculinity, circa 1650–1800 (2005)What's Political or Cultural about Political Culture and the Public Sphere? Toward an Historical Sociology of Concept Formation (1995)The Resurgence of the Critical Theories of Public Sphere (1996)The Dark Side of Democracy (2004)West European Politics in the Age of Globalization (2008)Race and the Education of Desire (1995)The Rise of Advanced Marginality: Notes on its Nature and Implications (1996)Pragmatism, Bourdieu, and collective emotions in contentious politics (2005)Esquisse d'une épistémologie de la théorisation féministe en art (2007)Putting Intellectual Property in its Place (2014)“It’s just art”: auteur apologism in the post-Weinstein era (2018)
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References

  • 2003Britons : Forging the Nation, 1707-18371,207 cited
  • 2007Inventing human rights: a history912 cited
  • 1993Golden age to separate spheres? A review of the categories and chronology of English women's history831 cited
  • 1991Women and the Public Sphere in the Age of the French Revolution.617 cited
  • 1998The Pleasures of the Imagination: English Culture in the Eighteenth Century498 cited
  • 1996Only paradoxes to offer: French feminists and the rights of man449 cited
  • 1967A SIMPLE MODEL OF LONDON'S IMPORTANCE IN CHANGING ENGLISH SOCIETY AND ECONOMY 1650–1750447 cited
  • 1992The Family Romance of the French Revolution.360 cited
  • 1994Painting for Money: The Visual Arts and the Public Sphere in Eighteenth- Century England.180 cited
  • 2018Why Have There Been No Great Women Artists?172 cited
  • 2001The Other Enlightenment: How French Women Became Modern155 cited
  • 1981The Diary of Joseph Farington132 cited
  • 2019The Family on Trial in Revolutionary France93 cited
  • 2000Learning to Draw: Studies in the Cultural History of a Polite and Useful Art92 cited
  • 1989The Royal Academy of Arts : a complete dictionary of contributors and their work from its foundation in 1769 to 1904.

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79 cited
  • 2003The King's Artists: The Royal Academy of Arts and the Politics of British Culture 1760-184056 cited
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    • 2021Women's embroidered self‐portraiture in the late 18th century: Authorship, agency, and artistry1 cited