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Investigation on the process of lead white blackening by Raman spectroscopy, XRD and other methods: Study of Cimabue’s paintings in Assisi

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2001Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products282 cited
2010In Situ Noninvasive Study of Artworks: The MOLAB Multitechnique Approach243 cited
2002Raman spectroscopy of the basic copper chloride minerals atacamite and paratacamite: implications for the study of copper, brass and bronze objects of archaeological significance217 cited
2006Blackening of Pompeian Cinnabar Paintings: X-ray Microspectroscopy Analysis201 cited
2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 2. Original Paint Layer Samples172 cited
2010Synchrotron-Based X-ray Absorption Spectroscopy for Art Conservation: Looking Back and Looking Forward144 cited
2009Characterization of a Degraded Cadmium Yellow (CdS) Pigment in an Oil Painting by Means of Synchrotron Radiation Based X-ray Techniques143 cited
2011Degradation Process of Lead Chromate in Paintings by Vincent van Gogh Studied by Means of Synchrotron X-ray Spectromicroscopy and Related Methods. 1. Artificially Aged Model Samples138 cited
2005Analytical Imaging Studies Clarifying the Process of the Darkening of Vermilion in Paintings126 cited
2011Investigation of the Discoloration of Smalt Pigment in Historic Paintings by Micro-X-ray Absorption Spectroscopy at the Co K-Edge103 cited
2002The role of H2S in pigment blackening97 cited
2007Classification of lead white pigments using synchrotron radiation micro X-ray diffraction

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