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Cited by

• 2019The binge-watcher’s journey: Investigating motivations, contexts, and affective states surrounding Netflix viewing129 cited
• 2020Hollywood studio filmmaking in the age of Netflix: a tale of two institutional logics109 cited
• 2021Algorithmic logics and the construction of cultural taste of the Netflix Recommender System91 cited
• 2021The ‘Netflix Original’ and what it means for the production of European television content87 cited
• 2022Streaming difference(s): Netflix and the branding of diversity77 cited
• 2020SVOD Global Expansion in Cross-National Comparative Perspective: Netflix in Israel and Spain66 cited
• 2021Netflix in Europe: Four Markets, Four Platforms? A Comparative Analysis of Audio-Visual Offerings and Investment Strategies in Four EU States49 cited
• 2021Beyond Streaming Wars: Rethinking Competition in Video Services39 cited
• 2021“The Netflix effect” in Thailand: Industry and regulatory implications38 cited
• 2020The rise of the ‘Netflix tax’ and what it means for sustaining European audiovisual markets37 cited
• 2022Celebrity brand break-up: Fan experiences of para-loveshock31 cited
• 2019Independent women: from film to television31 cited
• 2021Netflix likes it dubbed: Taking on the challenge of dubbing into English29 cited