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Ancient inscriptions can be difficult to understand and off-putting to museum audiences, but they are packed with personal stories and vivid information about the people who made them. This article argues that overcoming the language barrier presented by these objects can offer a deep sense of engagement with the ancient world and explores possible ways of achieving this. It looks at examples of effective approaches from a range of European museums with a particular emphasis on bringing out the sensory, social, and narrative dimensions of these objects. It argues that inscriptions can change the way that museum visitors view the ancient world and empower them to interpret the past for themselves in new and creative ways.
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Stored only when both papers are in the corpus — 10 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
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