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Podcast Networks: Syndicating Production Culture
14 references·3 citing·33 second hop
Podcast Networks: Syndicating Production Culture (2018)Podcast Networks: Syndicating Production …Radio's New Wave: Global Sound in the Digital Era (2016)Radio's New Wave: Global Soun…Podcasting: Considering the evolution of the medium and its association with the word ‘radio’ (2016)Podcasting: Considering the e…The Ashgate Research Companion to Fan Cultures (2015)The Ashgate Research Companio…More Than a “VCR for Radio”: The CBC, the Radio 3 Podcast, and the Uses of an Emerging Medium (2015)More Than a “VCR for Radio”: …Why Pod? Further Explorations of the Motivations for Independent Podcasting (2014)Why Pod? Further Explorations…Radio's New Wave (2013)Radio's New WaveDoing radio, making friends, and having fun: Exploring the motivations of independent audio podcasters (2011)Doing radio, making friends, …Servicing ‘self-scheduling consumers’ (2009)Servicing ‘self-scheduling co…Will the iPod Kill the Radio Star? Profiling Podcasting as Radio (2006)Will the iPod Kill the Radio …The television will be revolutionized (2006)The television will be revolu…Only Connect: A Cultural History of Broadcasting in the United States (2001)Only Connect: A Cultural Hist…Speaking into the Air (1999)Speaking into the AirThe Capitalization of Cultural Production (1989)The Capitalization of Cultura…Television: Technology and Cultural Form (1978)Television: Technology and Cu…Transpodcast universe. Narrative models and independent community”. (2020)Transpodcast universe. Narrat…Saving New Sounds (2020)Saving New SoundsDark night of the soul: Applicability of theory in comics and radio through the scripted podcast drama (2019)Dark night of the soul: Appli…Uses and Gratifications Research (1973)The long tail: why the future of business is selling less of more (2007)Blogs, Wikipedia, Second Life, and beyond: from production to produsage (2009)The ‘Second Age’ of Podcasting: reframing Podcasting as a New Digital Mass Medium (2015)Science podcasts: analysis of global production and output from 2004 to 2018 (2019)Aural Parasocial Relations: Host–Listener Relationships in Podcasts (2021)Bowling alone: the collapse and revival of American community (2000)Television And Everyday Life (2003)Consuming music together : social and collaborative aspects of music consumption technologies (2006)Consuming video on mobile devices (2007)TV Got Better: Netflix’s Original Programming Strategies and the On-Demand Television Transition (2015)Rethinking International TV Flows Research in the Age of Netflix (2017)Three Approaches to Qualitative Content Analysis (2005)Qualitative Content Analysis (2008)Examining the Motives of Podcast Users (2010)Undisclosed Information— Serial Is My Favorite Murder : Examining Motivations in the True Crime Podcast Audience (2018)Understanding podcast users: Consumption motives and behaviors (2020)The Politics of Content Aggregation (2014)Media Resistance (2017)Immersive Audio Storytelling: Podcasting and Serial Documentary in the Digital Publishing Industry (2019)How podcasting is changing the audio storytelling genre (2016)How context shapes value co-creation: spectator experience of sport events (2016)An emergent algorithmic culture: The data-ization of online fandom in China (2020)How Social Media Influencers Foster Relationships with Followers: The Roles of Source Credibility and Fairness in Parasocial Relationship and Product Interest (2020)Life in the fast lane? Towards a sociology of technology and time (2008)The affective atmospheres of nationalism (2015)Exploring expert perceptions about the cyber security and privacy of Connected and Autonomous Vehicles: A thematic analysis approach (2020)Skills and selves in the new workplace (2008)1 Constitutional Amendments: “Materializing” Organizational Communication (2009)Artificial intelligence and communication: A Human–Machine Communication research agenda (2019)Technologies of truth: cultural citizenship and the popular media (1998)In the Social Factory? (2008)Critical Media Industry Studies: A Research Approach (2009)
this work references cited by second hop

References

  • 1999Speaking into the Air1,163 cited
  • 1978Television: Technology and Cultural Form855 cited
  • 2006The television will be revolutionized583 cited
  • 2006Will the iPod Kill the Radio Star? Profiling Podcasting as Radio341 cited
  • 1989The Capitalization of Cultural Production219 cited
  • 2016Podcasting: Considering the evolution of the medium and its association with the word ‘radio’208 cited
  • 2011Doing radio, making friends, and having fun: Exploring the motivations of independent audio podcasters161 cited
  • 2001Only Connect: A Cultural History of Broadcasting in the United States131 cited
  • 2014Why Pod? Further Explorations of the Motivations for Independent Podcasting122 cited
  • 2015The Ashgate Research Companion to Fan Cultures108 cited
  • 2016Radio's New Wave: Global Sound in the Digital Era80 cited
  • 2013Radio's New Wave57 cited
  • 2009Servicing ‘self-scheduling consumers’42 cited
  • 2015More Than a “VCR for Radio”: The CBC, the Radio 3 Podcast, and the Uses of an Emerging Medium32 cited

Cited by

  • 2020Transpodcast universe. Narrative models and independent community”.10 cited

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  • 2020Saving New Sounds8 cited
  • 2019Dark night of the soul: Applicability of theory in comics and radio through the scripted podcast drama6 cited