SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Gender Ventriloquism in Studio Production
16 references·0 citing·27 second hop
Gender Ventriloquism in Studio Production (2018)Gender Ventriloquism in Studio ProductionVoicing Girlhood in Popular Music (2016)Voicing Girlhood in Popular M…Voicing the Popular: On the Subjects of Popular Music (2006)Voicing the Popular: On the S…Capturing sound: how technology has changed music (2005)Capturing sound: how technolo…‘Sing it for Me’: Posthuman Ventriloquism in Recent Popular Music (2003)‘Sing it for Me’: Posthuman V…‘Believe’? Vocoders, digitalised female identity and camp (2001)‘Believe’? Vocoders, digitali…Making Popular Music: Musicians, Creativity and Institutions (2000)Making Popular Music: Musicia…WHEN WOMEN PLAY THE BASS (1999)WHEN WOMEN PLAY THE BASSMusic, Gender, Education (1997)Music, Gender, Education2.7 IMITATION AND GENDER INSUBORDINATION (1996)2.7 IMITATION AND GENDER INSU…Sampling sexuality: gender, technology and the body in dance music (1993)Sampling sexuality: gender, t…Music as social text (1992)Music as social textOn Record: Rock, Pop and the Written Word (1990)On Record: Rock, Pop and the …Popular Music and Communication. (1988)Popular Music and Communicati…Noise: The Political Economy of Music (1986)Noise: The Political Economy …Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Understanding sponsorship effects (2001)Authenticity Revisited: The Rock Critic and the Changing Real (2010)Voice, place and genre in popular song performance1 (2011)(Re)Reading Pop Personae: A Transmedial Approach to Studying the Multiple Construction of Artist Identities (2019)Adolescents' uses of media for self-socialization (1995)The role of music in adolescents' mood regulation (2006)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)When materiality ‘bites back’: Digital music consumption practices in the age of dematerialization (2011)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)After Adorno (2003)Mutual Learning and Democratic Action in Instrumental Music Education (2003)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Classification as Culture: Types and Trajectories of Music Genres (2008)Ritual and Its Consequences (2008)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)My Life as a Night Elf Priest (2010)Media and Participation: A site of ideological-democratic struggle (2011)The Commodification of the Body Positive Movement on Instagram (2016)Boricua pop: Puerto Ricans and the Latinization of American culture (2004)Asian American sexual politics: the construction of race, gender, and sexuality (2013)The gender/sex 3×3: Measuring and categorizing gender/sex beyond binaries. (2022)Looking for work in creative industries policy (2009)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1986Noise: The Political Economy of Music1,617 cited
  • 1975Visual Pleasure and Narrative Cinema1,139 cited
  • 2005Capturing sound: how technology has changed music830 cited
  • 1990On Record: Rock, Pop and the Written Word755 cited
  • 1997Music, Gender, Education590 cited
  • 2000Making Popular Music: Musicians, Creativity and Institutions382 cited
  • 1988Popular Music and Communication.291 cited
  • 19962.7 IMITATION AND GENDER INSUBORDINATION187 cited
  • 2006Voicing the Popular: On the Subjects of Popular Music179 cited
  • 1999WHEN WOMEN PLAY THE BASS158 cited
  • 1993Sampling sexuality: gender, technology and the body in dance music156 cited
  • 1992Music as social text141 cited
  • 2016Voicing Girlhood in Popular Music66 cited
  • 2003‘Sing it for Me’: Posthuman Ventriloquism in Recent Popular Music63 cited
  • 2001‘Believe’? Vocoders, digitalised female identity and camp61 cited

Cited by

No citing works inside the corpus for this window.

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work