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This chapter proposes a reading of Byatt's œeuvre as a continuous series of reimaginings of the art of storytelling and its different (dis)contents. It focuses on Possession and Byatt's interest in the fairytale form. It studies the essentially hermeneutic concept of co-creative reading that Byatt's fictions participate in and also habitually promote. This chapter puts emphasis on a practice of reading that is basically grounded in the use of stories in a culture.
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