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‘Who can I be now?’: David Bowie’s Vocal Personae
15 references·0 citing·32 second hop
‘Who can I be now?’: David Bowie’s Vocal Personae (2018)‘Who can I be now?’: David Bowie’s Vocal …The Art of Record Production (2016)The Art of Record ProductionFuture Nostalgia: Performing David Bowie (2015)Future Nostalgia: Performing …Future Nostalgia (2015)Future NostalgiaEnchanting David Bowie (2015)Enchanting David BowieBowie In Berlin: A New Career In A New Town (2008)Bowie In Berlin: A New Career…The Musicology of Record Production (2007)The Musicology of Record Prod…Performing Glam Rock (2006)Performing Glam RockThe poetics of rock: cutting tracks, making records (2002)The poetics of rock: cutting …The Poetics of RockCutting Tracks, Making Records (2001)The Poetics of RockCutting Tr…Strange Fascination: David Bowie: The Definitive Story (1999)Strange Fascination: David Bo…Performing Rites: On the Value of Popular Music (1998)Performing Rites: On the Valu…Performing rites: on the value of popular music (1997)Performing rites: on the valu…Rock: The Primary Text (1994)Rock: The Primary TextStudying Popular Music (1991)Studying Popular MusicStudying Popular Music (1990)Studying Popular MusicThe Presentation of Self in Everyday Life. (1956)The Structure of Scientific Revolutions (1963)Metaphors We Live By (2003)The record producer as nexus : creative inspiration, technology and the recording industry (2009)Understanding Performance Expression in Popular Music Recordings (2014)Jamming and learning: analysing changing collective practice of changing participation (2016)"A Young Girls Dream": Examining the Barriers Facing Female Electric Guitarists (2011)Claiming Space: Discourses on Gender, Popular Music, and Social Change (2011)Memory, Monsters, and Lady Gaga (2011)Freaks, gold diggers, divas, and dykes: The sociohistorical development of adolescent African American women’s sexual scripts (2003)Problems in comparative research: The example of omnivorousness (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)Club cultures: music, media and subcultural capital (1996)Music in Everyday Life (2000)The Mediatization of Society (2008)His name was Prince: a study of Diamonds and Pearls (1997)Browsing Music Spaces: Categories And The Musi- cal Mind (1999)The Pop Palimpsest: Intertextuality in Recorded Popular Music (2018)Ethnography and popular music studies (1993)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Class, Control, and Classical Music (2019)Music Mediated as Live in Austin: sound, technology, and recording practice (2002)Soundscapes: Toward a Sounded Anthropology (2010)Composing, songwriting, and producing: Informing popular music pedagogy (2013)Wired for sound: engineering and technologies in sonic cultures (2005)“Heritage rock”: Rock music, representation and heritage discourse (2009)Plumbing the Surface of Sound and Vision (2012)Consumer storytelling of brand archetypal enactments (2015)Bowie musicology: mapping Bowie’s sound and music language across the catalogue (2017)The cultural economy: geography and the creative field (1999)Pleasure Consuming Medicine (2009)Playing to the Crowd (2019)
this work references cited by second hop

References

  • 1997Performing rites: on the value of popular music1,310 cited
  • 1990Studying Popular Music606 cited
  • 1991Studying Popular Music550 cited
  • 2002The poetics of rock: cutting tracks, making records235 cited
  • 1998Performing Rites: On the Value of Popular Music212 cited
  • 2006Performing Glam Rock168 cited
  • 2001The Poetics of RockCutting Tracks, Making Records146 cited
  • 1994Rock: The Primary Text75 cited
  • 1999Strange Fascination: David Bowie: The Definitive Story62 cited
  • 2007The Musicology of Record Production55 cited
  • 2008Bowie In Berlin: A New Career In A New Town44 cited
  • 2016The Art of Record Production39 cited
  • 2015Future Nostalgia: Performing David Bowie20 cited
  • 2015Enchanting David Bowie14 cited
  • 2015Future Nostalgia12 cited

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