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Screening the Past: Reflexivity, Repetition and the Spectator in Lola Arias' Minefield/Campo minado (2016)
5 references·0 citing·15 second hop
Screening the Past: Reflexivity, Repetition and the Spectator in Lola Arias' Minefield/Campo minado (2016) (2018)Screening the Past: Reflexivity, Repetiti…Performing Memory in Art and Popular Culture (2013)Performing Memory in Art and …Get Real: Documentary Theatre Past and Present (2009)Get Real: Documentary Theatre…Liveness: performance in a mediatized culture (2008)Liveness: performance in a me…Bodies of Evidence (2006)Bodies of EvidenceThe Archive and the Repertoire (2003)The Archive and the RepertoireThe Mediatization of Society (2008)Social Network Sites as Networked Publics: Affordances, Dynamics, and Implications (2010)Understanding Social Media Logic (2013)To Witness Mimesis: The Politics, Ethics, and Aesthetics of Testimonial Theatre in Through the Wire (2013)Theatre and War (2016)The Drama Spiral: A Decision-Making Model for Safe, Ethical, and Flexible Practice when Incorporating Personal Stories in Applied Theatre and Performance (2017)Suicide Determination and the Professional Authority of Medical Examiners (2005)Professions and Their Work (2008)Introduction: An Anthropology of Absence (2010)Materializing Memory in Art and Popular Culture (2016)‘Remembering as Forgetting’: Organizational commemoration as a politics of recognition (2017)Remembering Hope: Transnational activism beyond the traumatic (2018)Tweets, Tweeps, and Signifyin’ (2013)Exemplary Ethics in Ancient Rome (2018)After the party: a manifesto for queer of color life (2019)
this work references cited by second hop

References

  • 2003The Archive and the Repertoire2,114 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 2009Get Real: Documentary Theatre Past and Present157 cited
  • 2006Bodies of Evidence152 cited
  • 2013Performing Memory in Art and Popular Culture103 cited

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