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Environment-Friendly Poly(2-ethyl-2-oxazoline) as an Innovative Consolidant for Ancient Wall Paintings
7 references·1 citing·34 second hop
Environment-Friendly Poly(2-ethyl-2-oxazoline) as an Innovative Consolidant for Ancient Wall Paintings (2018)Environment-Friendly Poly(2-ethyl-2-oxazo…U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art (2018)U-Th dating of carbonate crus…The use of vibrational spectroscopy techniques as a tool for the discrimination and identification of the natural and synthetic organic compounds used in conservation (2016)The use of vibrational spectr…Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts (2016)Reflectance Hyperspectral Ima…Nanomaterials in art conservation (2015)Nanomaterials in art conserva…Highly transparent poly(2-ethyl-2-oxazoline)-TiO 2 nanocomposite coatings for the conservation of matte painted artworks (2015)Highly transparent poly(2-eth…New Methodologies for the Conservation of Cultural Heritage: Micellar Solutions, Microemulsions, and Hydroxide Nanoparticles (2010)New Methodologies for the Con…The Use of Paraloid B-72 as an Adhesive: Its Application for Archaeological Ceramics and Other Materials (1986)The Use of Paraloid B-72 as a…Evaluation of commonly used reinforcement materials for color paintings on ancient wooden architecture in China (2024)Evaluation of commonly used r…The museum environment (1978)Cleaning Painted Surfaces: Aqueous Methods (2001)Nanotechnologies for Conservation of Cultural Heritage: Paper and Canvas Deacidification (2002)Aquazol as a binder for retouching paints. An evaluation through analytical pyrolysis and thermal analysis (2017)An investigation into adhesives to consolidate distemper paintings on canvas (2020)Conservation in field archaeology (1970)Degradation of Cellulose Nitrate Adhesive (1992)Paraloid B-72 as a Structural Adhesive and as a Barrier within Structural Adhesive Bonds: Evaluations of Strength and Reversibility (2001)Effect of solvent on PARALOID® B72 and B44 acrylic resins used as adhesives in conservation (2019)New Frontiers in Materials Science for Art Conservation: Responsive Gels and Beyond (2010)Laser-Accelerated Proton Beams as Diagnostics for Cultural Heritage (2017)Restoration of paper artworks with microemulsions confined in hydrogels for safe and efficient removal of adhesive tapes (2018)A review of solvent action on oil paint (2020)Photo-oxidative stability of paraloid acrylic protective polymers (2001)Calcium hydroxide nanoparticles for the conservation of cultural heritage: new formulations for the deacidification of cellulose-based artifacts (2013)Colloid and Materials Science for the Conservation of Cultural Heritage: Cleaning, Consolidation, and Deacidification (2013)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Advances in multispectral and hyperspectral imaging for archaeology and art conservation (2011)Real-time elemental imaging of large dimension paintings with a novel mobile macro X-ray fluorescence (MA-XRF) scanning technique (2017)Recent developments in spectroscopic imaging techniques for historical paintings - A review (2017)Hyper-Spectral Imaging Technique in the Cultural Heritage Field: New Possible Scenarios (2020)Materials for Conservation; Organic Consolidants, Adhesives and Coatings (1988)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)Non-invasive reflection FT-IR spectroscopy for on-site detection of cleaning system residues on polychrome surfaces (2020)Identifying Original and Restoration Materials through Spectroscopic Analyses on Saturnino Gatti Mural Paintings: How Far a Noninvasive Approach Can Go (2023)Nassarius kraussianus shell beads from Blombos Cave: evidence for symbolic behaviour in the Middle Stone Age (2004)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)The timing and spatiotemporal patterning of Neanderthal disappearance (2014)Palaeolithic cave art in Borneo (2018)Earliest hunting scene in prehistoric art (2019)Oldest cave art found in Sulawesi (2021)Polyacrylates for conservation: chemico-physical properties and durability of different commercial products (2003)Comparative analysis of eastern and western drying-oil binding media used in polychromic artworks by pyrolysis–gas chromatography/mass spectrometry under the influence of pigments (2015)
this work references cited by second hop

References

  • 2018U-Th dating of carbonate crusts reveals Neandertal origin of Iberian cave art652 cited
  • 2016Reflectance Hyperspectral Imaging for Investigation of Works of Art: Old Master Paintings and Illuminated Manuscripts323 cited
  • 2010New Methodologies for the Conservation of Cultural Heritage: Micellar Solutions, Microemulsions, and Hydroxide Nanoparticles224 cited
  • 2015Nanomaterials in art conservation182 cited
  • 1986The Use of Paraloid B-72 as an Adhesive: Its Application for Archaeological Ceramics and Other Materials143 cited
  • 2015Highly transparent poly(2-ethyl-2-oxazoline)-TiO 2 nanocomposite coatings for the conservation of matte painted artworks34 cited
  • 2016The use of vibrational spectroscopy techniques as a tool for the discrimination and identification of the natural and synthetic organic compounds used in conservation21 cited

Cited by

  • 2024Evaluation of commonly used reinforcement materials for color paintings on ancient wooden architecture in China11 cited

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