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In this chapter, I outline a new framework for museum marketing in the light of doctoral research carried out in Scotland. The theoretical background of marketing in general and museum marketing in particular is drawn on, and I examine the choices facing researchers within this field. The problems to be found in the existing concepts of marketing and the difficulties of applying general marketing theory direct to museums are considered. The documentation of existing good practice and the fieldwork and analysis employed to investigate more fully the marketing of Scottish museums are discussed.
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