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Monologue and multivocality in San rock art studies
12 references·1 citing·46 second hop
Monologue and multivocality in San rock art studies (2018)Monologue and multivocality in San rock a…Envisioning San History: Problems in the Reading of History in the Rock Art of the Maloti-Drakensberg Mountains of South Africa (2010)Envisioning San History: Prob…Art as a Mode of Action (2009)Art as a Mode of ActionMyths, Making, and Consciousness (2008)Myths, Making, and Consciousn…Uganda: lessons for aids control in Africa (2003)Uganda: lessons for aids cont…The Archaeology of People (2003)The Archaeology of PeopleOn Different Approaches to San Rock Art (2000)On Different Approaches to Sa…'Meaning' in Southern African San Rock Art: Another Impasse? (1999)'Meaning' in Southern African…Quanto?: The Issue of 'Many Meanings' in Southern African San Rock Art Research (1998)Quanto?: The Issue of 'Many M…Melikane and Upper Mangolong Revisited: The Possible Effects on San Art of Symbiotic Contact between South-Eastern San and Southern Sotho and Nguni Communities (1995)Melikane and Upper Mangolong …The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)The Signs of All Times: Entop…Art for Art's Sake in the Paleolithic [and Comments and Reply] (1987)Art for Art's Sake in the Pal…The !Kung of Nyae Nyae (1976)The !Kung of Nyae NyaeTrivial pursuit? Interpreting San rock art in terms of the mystical bond between hunter and prey (2021)Trivial pursuit? Interpreting…Outline of a Theory of Practice (1977)Gender Trouble: Feminism and the Subversion of Identity (1991)Art and Agency: An Anthropological Theory (1999)Broken strings: interdisciplinarity and /Xam oral literature (2009)San rock art: evidence and argument (2015)The Impact of Contact and Colonization on Indigenous Worldviews, Rock Art, and the History of Southern Africa (2022)Domestic violence in rural Uganda: evidence from a community-based study. (2003)A Content Analysis of Career Development Theory, Research, and Practice—2013 (2014)25 Years of Transformations of Higher Education Systems in Post-Soviet Countries (2018)Educational differences in duration of working life and loss of paid employment: working life expectancy in The Netherlands (2019)Art and Agency An Anthropological Theory (1998)Art And Agency (1998)Later Stone Age hunter-gatherers and herders (2016)THE ‘INTERIOR WORLD’ OF THE NINETEENTH-CENTURY MALOTI-DRAKENSBERG MOUNTAINS (2017)Towards a holistic approach to heritage values: a multidisciplinary and cosmopolitan approach (2019)The Technology of Enchantment and the Enchantment of Technology (1992)The Naturalness of Religious Ideas (1994)Ways of Enchanting (2009)“Material Culture Studies” and other Ways to Theorize Objects: A Primer to a Regional Debate (2011)Negotiating Yanyuwa Rock Art (2016)Le dessin enfantin (1927)The Medicine Dance of the ! Kung Bushmen (1969)The Evolutionary Emergence of Modern Human Behaviour: Language and its Archaeology (1991)The Archaeology of Religious Ritual (2007)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Art and Illusion (2017)People of the Eland: Rock-Paintings of the Drakensberg Bushmen as a Reflection of Their Life and Thought (1978)Images of Power: Understanding Bushman Rock Art (1990)Through the Veil: San Rock Paintings and the Rock Face (1990)Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images (2004)A Social History of Dying (2007)Travels in the Interior of Southern Africa (1954)The Bantu-speaking Peoples of Southern Africa. (1975)Believing and Seeing: Symbolic Meanings in Southern San Rock Paintings. (1982)Hunter-Gatherers and Farmers: Some Implications of 1,800 Years of Interaction in the Maloti-Drakensberg Region of Southern Africa (2009)Ritual fauna from Ratho Kroonkop: a second millennium AD rain control site in the Shashe-Limpopo Confluence area of South Africa (2013)Allusions to Agriculturist Rituals in Hunter-Gatherer Rock Art? eMkhobeni Shelter, Northern uKhahlamba-Drakensberg, KwaZulu-Natal, South Africa (2015)Style and Social Information in Kalahari San Projectile Points (1983)The Raw and the Stolen: Cooking and the Ecology of Human Origins (1999)Towards a unified science of cultural evolution (2006)Social information transfer in monkeys, apes, and hominids (1991)Symbols and paleolithic artifacts: Style, standardization, and the imposition of arbitrary form (1991)From A Paleolithic Art to Pleistocene Visual Cultures (Introduction to two Special Issues on ‘Advances in the Study of Pleistocene Imagery and Symbol Use’) (2006)‘In this Chambered Tumulus were Found Cleft Skulls …’: an Assessment of the Evidence for Cranial Trauma in the British Neolithic (2005)MAKING PLACES MATTER IN EARLY NEOLITHIC DORSET (2009)More than representation (2018)
this work references cited by second hop

References

  • 1976The !Kung of Nyae Nyae683 cited
  • 1988The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply]474 cited
  • 2003Uganda: lessons for aids control in Africa270 cited
  • 2009Art as a Mode of Action107 cited
  • 1998Quanto?: The Issue of 'Many Meanings' in Southern African San Rock Art Research90 cited
  • 2003The Archaeology of People70 cited
  • 1987Art for Art's Sake in the Paleolithic [and Comments and Reply]53 cited
  • 2010Envisioning San History: Problems in the Reading of History in the Rock Art of the Maloti-Drakensberg Mountains of South Africa38 cited
  • 1995Melikane and Upper Mangolong Revisited: The Possible Effects on San Art of Symbiotic Contact between South-Eastern San and Southern Sotho and Nguni Communities35 cited
  • 2008Myths, Making, and Consciousness34 cited
  • 2000On Different Approaches to San Rock Art17 cited
  • 1999'Meaning' in Southern African San Rock Art: Another Impasse?12 cited

Cited by

  • 2021Trivial pursuit? Interpreting San rock art in terms of the mystical bond between hunter and prey0 cited

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