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The Art Cinema as a Mode of Film Practice
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The Art Cinema as a Mode of Film Practice (2012)The Art Cinema as a Mode of Film PracticeOnscreen/Offscreen (2022)Onscreen/OffscreenArt films foster theory of mind (2021)Art films foster theory of mi…Making the invisible visible: Reclaiming women’s agency in Swedish film history and beyond (2019)Making the invisible visible:…Films on Ice (2015)Films on IceEl estándar DCI en las filmotecas. El proceso de transición al sistema digital en la actividad filmotecaria contemporánea (2010-2014) (2015)El estándar DCI en las filmot…Desublimating monstrous desire: the horror of gender in new extremist cinema (2015)Desublimating monstrous desir…Realism as a third film practice (2011)Realism as a third film pract…Film Festivals: Culture, People, and Power on the Global Screen (2011)Film Festivals: Culture, Peop…Creating Authorship? Lindsay Anderson and David Sherwin's collaboration on If. (1968) (2010)Creating Authorship? Lindsay …Film Festivals : From European Geopolitics to Global Cinephilia (2007)Film Festivals : From Europea…Philosophical Investigations. (1954)Natural categories (1973)Women, Fire, and Dangerous Things (1987)Precarity in European Film (2022)The Concept of National Cinema (1989)Imagined Communities: Reflections on the Origin and Spread of Nationalism (1994)Sex, Class and Realism: British Cinema 1956-1963 (2019)Horror and the Monstrous-Feminine: An Imaginary Abjection (1986)Men, women, and chain saws: gender in the modern horror film (1992)Men, Women, and Chain Saws: Gender in the Modern Horror Film (2015)The Oxford history of world cinema (1997)Visual Digital Culture: Surface Play and Spectacle in New Media Genres (2000)The Language of New Media (2002)Media Ecologies: Materialist Energies in Art and Technoculture (2005)Transnational cinema : the film reader (2006)World Cinemas, Transnational Perspectives (2009)Moving Mountains: Glacial Contingency and Modernity in the Bergfilm (2019)Scientific Visions: Resource Extraction and the Colonial Impulse in Canadian Popular Science Films (2019)Landscape, Geopolitics, and National Identity in the Norwegian Thrillers Occupied and Nobel (2020)Archaeology of Knowledge (1970)Kafka: Toward a Minor Literature (1986)In a Queer Time and Place: Transgender Bodies, Subcultural Lives (2006)Habermas and the Public Sphere. (1993)The Wretched of the Earth (2000)Cities and the Creative Class (2003)Supporting art cinema at a time of commercialization: Principles and practices, the case of the International Film Festival Rotterdam (2014)Post Americana: Twenty-First Century Media Globalization (2020)Iniciativas de educación cinematográfica en los festivales de cine de Iberoamérica (2005 - 2019) (2021)Does the chimpanzee have a theory of mind? (1978)Actual Minds, Possible Worlds (1986)Actual Minds, Possible Worlds. (1986)The Agenda-Setting Function of Mass Media (1972)Nations and Nationalism. (1984)Between Memory and History: Les Lieux de Mémoire (1989)Film festival research from an organizational studies perspective (2010)Audience Heterogeneity and the Effectiveness of Market Signals: How to Overcome Liabilities of Foreignness in Film Exports? (2014)How To Do Things With Words (1975)The sublime object of ideology (1990)Bodies That Matter: On the Discursive Limits of "Sex". (1995)
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  • 2007Film Festivals : From European Geopolitics to Global Cinephilia290 cited
  • 2011Film Festivals: Culture, People, and Power on the Global Screen203 cited
  • 2015Films on Ice29 cited
  • 2021Art films foster theory of mind17 cited
  • 2019Making the invisible visible: Reclaiming women’s agency in Swedish film history and beyond13 cited
  • 2011Realism as a third film practice12 cited
  • 2022Onscreen/Offscreen8 cited
  • 2015Desublimating monstrous desire: the horror of gender in new extremist cinema7 cited
  • 2010Creating Authorship? Lindsay Anderson and David Sherwin's collaboration on If. (1968)7 cited
  • 2015El estándar DCI en las filmotecas. El proceso de transición al sistema digital en la actividad filmotecaria contemporánea (2010-2014)2 cited

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