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Audio Description in the UK: What works, what doesn’t, and understanding the need for personalising access

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References

1993The Soundscape: Our Sonic Environment and the Tuning of the World2,494 cited
2001Adding Audio Description: Does it Make a Difference?127 cited
2017Creative description: The impact of audio description style on presence in visually impaired audiences106 cited
2013Cinematic language and the description of film: keeping AD users in the frame80 cited
2009The rogue poster-children of universal design: closed captioning and audio description67 cited
2013Auteur Description: From the Director's Creative Vision to Audio Description42 cited
2015Accessible games for blind children, empowered by binaural sound35 cited
2013Inclusive Design, Audio Description and Diversity of Theatre Experiences30 cited
2012For the use of sound. Film sound analysis for audio-description: some key issues28 cited
2007Accessibility: raising awareness of audio description in the UK26 cited

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2018The independent audio describer is dead: Long live audio description!22 cited

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