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Cited by

• 2012Smyrna's Ashes: Humanitarianism, Genocide, and the Birth of the Middle East60 cited
• 2013Visible Lives: Black Gondoliers and Other Black Africans in Renaissance Venice50 cited
• 1998The Jew as Renaissance Man27 cited
• 1979Vocal colour in English sixteenth~century polyphony21 cited
• 1982The ‘Lex Hortorum’ and access to gardens of Latium during the Renaissance14 cited
• 1989Gender and Eloquence in Dekker’s The Honest Whore, Part II11 cited
• 2002England, Islam, and the Mediterranean Drama: Othello and Others9 cited
• 1997The Italian Mountebank and the Commedia dell'Arte9 cited
• 2011Laughter in the Time of Plague: A Context for the Unstable Style of Nashe’s Christ’s Tears over Jerusalem5 cited
• 2005Love as Persuasion in Monteverdi’s ‘L’incoronazione di Poppea’: New Thoughts on the Authorship Question5 cited
• 1999Charles Chester and Ben Jonson4 cited