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The Gay Divorce of Music and Dance: Choreomusicality and the Early Works of Cage-Cunningham
16 references·1 citing·35 second hop
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References

  • 1994Unmarked: The Politics of Performance1,810 cited
  • 2011Performing remains art and war in times of theatrical reenactment633 cited
  • 2004Music—Drastic or Gnostic?550 cited
  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 2002Improvised Music after 1950: Afrological and Eurological Perspectives305 cited
  • 1997Dancing Modernism/Performing Politics by Mark Franko. Bloomington: Indiana University Press, 1995. Xvi + 192 pp., photographs, appendix, notes, bibliography, index. $29.95 clothbound; $12.95 paperbound.278 cited
  • 2004Modern Dance, Negro Dance: Race In Motion275 cited
  • 2016Building a Better Description239 cited
  • 2003Conversing with Cage211 cited
  • 2011Experimentalism Otherwise: The New York Avant-Garde and Its Limits209 cited
  • 2007Eyesight alone: Clement Greenberg's modernism and the bureaucratization of the senses168 cited
  • 2001Moving Music: Dialogues with Music in Twentieth-Century Ballet132 cited
  • 1969A Year from Monday; New Lectures and Writings102 cited
  • 1987Tchaikovsky's Ballets: Swan Lake, Sleeping Beauty, Nutcracker76 cited
  • 1993The Roaring Silence -- John Cage: A Life75 cited

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  • 2003Music and the ineffable75 cited
  • Cited by

    • 2022George Balanchine’s Art of Choreographic Musicality in Tschaikovsky Pas de Deux5 cited