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Cited by

• 2019Interpreting Art with Light: Museum Lighting between Objectivity and Hyperrealism48 cited
• 2018Museum lighting with LEDs: Evaluation of lighting damage to contemporary photographic materials24 cited
• 2016Chromaticity shifts due to light exposure of inorganic pigments used in traditional Chinese painting20 cited
• 2013Fluorimetric Analysis of the Constituent Dyes Within Daylight Fluorescent Pigments: Implications for Display and Preservation of Daylight Fluorescent Artwork16 cited
• 2025What Makes Exhibitions Ethnographic?12 cited
• 2020L’éclairage dynamique, un dispositif de médiation. Le cours d’action pour évaluer l’influence de la lumière sur l’expérience visiteur au musée9 cited
• 2021An Evaluation of Annual Luminous Exposure from Daylight in a Museum Room with a Translucent Ceiling6 cited
• 2021Preferred illumination level by the viewers for displaying paintings in exhibition space4 cited
• 2023Illuminating Museums. From Design to Experience3 cited
• 2016Light: Visual Comfort Versus Artwork Health2 cited
• 2026A comprehensive overview of lighting guidelines for museums1 cited
• 2024Addressing Cultural Risks in Conservation Decision-Making in the Development of the He Tohu Exhibition1 cited