SZodixStudyAcademic Library
ShelvesOpen access
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
Concentration, diversity, and consequences: Privileging independent over major record labels
16 references·3 citing·34 second hop
Concentration, diversity, and consequences: Privileging independent over major record labels (2018)Concentration, diversity, and consequence…The Innovator's Dilemma: The Revolutionary Book That Will Change the Way You Do Business (2011)The Innovator's Dilemma: The …Music Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…Resistance Through Rituals (2006)Resistance Through RitualsSubcultures, Scenes or Tribes? None of the Above (2005)Subcultures, Scenes or Tribes…When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry (2000)When Market Information Const…Music genres and corporate cultures (2000)Music genres and corporate cu…Sexing the Groove: Popular Music and Gender (1998)Sexing the Groove: Popular Mu…Club Cultures: Music, Media and Subcultural Capital (1997)Club Cultures: Music, Media a…Club cultures: music, media and subcultural capital (1996)Club cultures: music, media a…Changing Highbrow Taste: From Snob to Omnivore (1996)Changing Highbrow Taste: From…Subculture: The Meaning of Style (1995)Subculture: The Meaning of St…Innovation and Diversity in the Popular Music Industry, 1969 to 1990 (1992)Innovation and Diversity in t…Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll. (1982)Sound Effects: Youth, Leisure…Subculture: The Meaning of Style. (1981)Subculture: The Meaning of St…Resistance Through Rituals: Youth Subcultures in Post-War Britain (1976)Resistance Through Rituals: Y…Cycles in Symbol Production: The Case of Popular Music (1975)Cycles in Symbol Production: …Musical Aspirations and DIY/DIO Practices in Online Communities of Amateur Independent Filipino Songwriters (2022)Musical Aspirations and DIY/D…Independent Canadian Music in the Streaming Age: The Sound from above (Critical Political Economy) and below (Ethnography of Musicians) (2022)Independent Canadian Music in…Exploring the (un)changing nature of cultural intermediaries in digitalised markets: insights from independent music (2022)Exploring the (un)changing na…The consequences of modernity (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)The Forms of Capital (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Where Consumers Diverge from Others: Identity Signaling and Product Domains (2007)Distinction: A Social Critique of the Judgement of Taste* (2018)The Long Revolution (1961)Writing Culture: The Poetics and Politics of Ethnography (1986)Culture shift in advanced industrial society (1990)Cultural capital in educational research: A critical assessment (2003)Talk Is Cheap (2014)The Structure of Scientific Revolutions (1963)MANAGEMENT FASHION (1996)Capitalism, Socialism and Democracy (1997)The Cultural Economy of Cities (1997)Why the Microbrewery Movement? Organizational Dynamics of Resource Partitioning in the U.S. Brewing Industry (2000)Resistance and the Problem of Ethnographic Refusal (1995)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Millennial Capitalism: First Thoughts on a Second Coming (2000)Test, Learn, Adapt: Developing Public Policy with Randomised Controlled Trials (2012)Technological discontinuities and the challenge for incumbent firms: Destruction, disruption or creative accumulation? (2013)Startups and open innovation: a review of the literature (2016)THE WORK OF CULTURAL INTERMEDIARIES AND THE ENDURING DISTANCE BETWEEN PRODUCTION AND CONSUMPTION (2002)The Production of Culture Perspective (2004)Managing visibility on YouTube through algorithmic gossip (2019)Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)Culture in Interaction (2003)Reinforcing Spirals: The Mutual Influence of Media Selectivity and Media Effects and Their Impact on Individual Behavior and Social Identity (2007)Music and Adolescent Identity (1999)The importance of music to adolescents (2000)Signals in Social Supernets (2007)The commons: Infrastructures for troubling times* (2016)
this work references cited by second hop

References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 1981Subculture: The Meaning of Style.3,479 cited
  • 1996Changing Highbrow Taste: From Snob to Omnivore2,443 cited
  • 1976Resistance Through Rituals: Youth Subcultures in Post-War Britain2,436 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 1997Club Cultures: Music, Media and Subcultural Capital1,504 cited
  • 1982Sound Effects: Youth, Leisure, and the Politics of Rock `n' Roll.674 cited
  • 2011The Innovator's Dilemma: The Revolutionary Book That Will Change the Way You Do Business611 cited
  • 1975Cycles in Symbol Production: The Case of Popular Music594 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 1998Sexing the Groove: Popular Music and Gender478 cited
  • 2006Resistance Through Rituals440 cited
  • 2005Subcultures, Scenes or Tribes? None of the Above413 cited
  • 2000Music genres and corporate cultures381 cited
  • 2000When Market Information Constitutes Fields: Sensemaking of Markets in the Commercial Music Industry364 cited
  • 1992Innovation and Diversity in the Popular Music Industry, 1969 to 1990

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

337 cited

Cited by

  • 2022Exploring the (un)changing nature of cultural intermediaries in digitalised markets: insights from independent music13 cited
  • 2022Independent Canadian Music in the Streaming Age: The Sound from above (Critical Political Economy) and below (Ethnography of Musicians)12 cited
  • 2022Musical Aspirations and DIY/DIO Practices in Online Communities of Amateur Independent Filipino Songwriters4 cited