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On-site pXRF analysis of glaze composition and colouring agents of “Iznik” tiles at Edirne mosques (15th and 16th-centuries)
16 references·10 citing·38 second hop
On-site pXRF analysis of glaze composition and colouring agents of “Iznik” tiles at Edirne mosques (15th and 16th-centuries) (2018)On-site pXRF analysis of glaze compositio…Late Roman and Byzantine mosaic opaque “glass-ceramics” tesserae (5th-9th century) (2016)Late Roman and Byzantine mosa…Revisiting the beginnings of tin-opacified Islamic glazes (2015)Revisiting the beginnings of …Toward a fast non-destructive identification of pottery: The sourcing of 14th–16th century Vietnamese and Chinese ceramic shards (2014)Toward a fast non-destructive…Rocks as blue, green and black pigments/dyes of glazed pottery and enamelled glass artefacts ? A review (2013)Rocks as blue, green and blac…Mobile Raman spectroscopy analysis of ancient enamelled glass masterpieces (2013)Mobile Raman spectroscopy ana…The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields (2012)The on‐site/remote Raman anal…Ancient Portuguese Ceramic Wall Tiles (“Azulejos”): Characterization of the Glaze and Ceramic Pigments (2009)Ancient Portuguese Ceramic Wa…Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Raman identification of natur…On-site Raman identification and dating of ancient glasses: A review of procedures and tools (2008)On-site Raman identification …THE ‘DELLA ROBBIA BLUE’: A CASE STUDY FOR THE USE OF COBALT PIGMENTS IN CERAMICS DURING THE ITALIAN RENAISSANCE* (2006)THE ‘DELLA ROBBIA BLUE’: A CA…On‐site Raman analysis of Iznik pottery glazes and pigments (2004)On‐site Raman analysis of Izn…Non-destructive characterization of Della Robbia sculptures at the Bargello museum in Florence by the combined use of PIXE and XRF portable systems (2004)Non-destructive characterizat…Lapis lazuli as unexpected blue pigment in Iranian Lâjvardina ceramics (2003)Lapis lazuli as unexpected bl…Iznik: The Pottery of Ottoman Turkey (1994)Iznik: The Pottery of Ottoman…From International Timurid to Ottoman: A Change of Taste in Sixteenth-Century Ceramic Tiles (1990)From International Timurid to…IZNIK POTTERY: AN INVESTIGATION OF THE METHODS OF PRODUCTION (1989)IZNIK POTTERY: AN INVESTIGATI…The Study of Pigments in Cultural Heritage: A Review Using Machine Learning (2024)The Study of Pigments in Cult…Timurid, Ottoman, Safavid and Qajar Ceramics: Raman and Composition Classification of the Different Types of Glaze and Pigments (2023)Timurid, Ottoman, Safavid and…New Probe for Porcelain Glazes by Luminescence at Near-Infrared Excitation (2021)New Probe for Porcelain Glaze…Advantages and pitfalls of the use of mobile Raman and XRF systems applied on cultural heritage objects in Tuscany (Italy) (2021)Advantages and pitfalls of th…Investigation of the Pigments and Glassy Matrix of Painted Enamelled Qing Dynasty Chinese Porcelains by Noninvasive On-Site Raman Microspectrometry (2020)Investigation of the Pigments…The glaze production technology of an early Ottoman pottery (mid-14th(?)-16th century): The case of ‘Miletus Ware’ (2019)The glaze production technolo…On-site pXRF analysis of body, glaze and colouring agents of the tiles at the excavation site of Iznik kilns (2019)On-site pXRF analysis of body…Handheld X-ray Fluorescence (XRF) Versus Wavelength Dispersive XRF: Characterization of Chinese Blue-and-White Porcelain Sherds Using Handheld and Laboratory-Type XRF Instruments (2019)Handheld X-ray Fluorescence (…A pXRF In Situ Study of 16th–17th Century Fresco Paints from Sviyazhsk (Tatarstan Republic, Russian Federation) (2019)A pXRF In Situ Study of 16th–…The Origin of overglaze-blue enameling in Japan: New discoveries and a reassessment (2018)The Origin of overglaze-blue …De re metallica (1950)De l'origine du cobalt dans les verres (1992)De l'origine du cobalt : du verre à la céramique (1996)The production technology of Italian maiolica: a reassessment (2009)Multi-analytical identification of pigments and pigment mixtures used in 17th century Portuguese azulejos (2011)Changes in the Signature of Cobalt Colorants in Late Antique and Early Islamic Glass Production (2018)Technological examination of Neolithic-Bronze Age pottery from central and southeast Europe and from the Near East (1981)LEAD GLAZES IN ANTIQUITY—METHODS OF PRODUCTION AND REASONS FOR USE* (1998)The Guelph PIXE software package IV (2010)Non-invasive Raman analyses of Chinese huafalang and related porcelain wares. 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this work references cited by second hop

References

  • 2008Raman identification of natural red to yellow pigments: ochre and iron‐containing ores327 cited
  • 2012The on‐site/remote Raman analysis with mobile instruments: a review of drawbacks and success in cultural heritage studies and other associated fields168 cited
  • 2004On‐site Raman analysis of Iznik pottery glazes and pigments141 cited
  • 2008On-site Raman identification and dating of ancient glasses: A review of procedures and tools131 cited
  • 2003Lapis lazuli as unexpected blue pigment in Iranian Lâjvardina ceramics121 cited
  • 1994Iznik: The Pottery of Ottoman Turkey117 cited
  • 1990From International Timurid to Ottoman: A Change of Taste in Sixteenth-Century Ceramic Tiles108 cited
  • 2006THE ‘DELLA ROBBIA BLUE’: A CASE STUDY FOR THE USE OF COBALT PIGMENTS IN CERAMICS DURING THE ITALIAN RENAISSANCE*107 cited
  • 2015Revisiting the beginnings of tin-opacified Islamic glazes71 cited
  • 2009Ancient Portuguese Ceramic Wall Tiles (“Azulejos”): Characterization of the Glaze and Ceramic Pigments68 cited
  • 2014Toward a fast non-destructive identification of pottery: The sourcing of 14th–16th century Vietnamese and Chinese ceramic shards66 cited
  • 2004Non-destructive characterization of Della Robbia sculptures at the Bargello museum in Florence by the combined use of PIXE and XRF portable systems63 cited
  • 1989IZNIK POTTERY: AN INVESTIGATION OF THE METHODS OF PRODUCTION63 cited

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  • 2016Late Roman and Byzantine mosaic opaque “glass-ceramics” tesserae (5th-9th century)62 cited
  • 2013Mobile Raman spectroscopy analysis of ancient enamelled glass masterpieces60 cited
  • 2013Rocks as blue, green and black pigments/dyes of glazed pottery and enamelled glass artefacts ? A review59 cited
  • Cited by

    • 2019On-site pXRF analysis of body, glaze and colouring agents of the tiles at the excavation site of Iznik kilns31 cited
    • 2020Investigation of the Pigments and Glassy Matrix of Painted Enamelled Qing Dynasty Chinese Porcelains by Noninvasive On-Site Raman Microspectrometry28 cited
    • 2018The Origin of overglaze-blue enameling in Japan: New discoveries and a reassessment27 cited
    • 2019Handheld X-ray Fluorescence (XRF) Versus Wavelength Dispersive XRF: Characterization of Chinese Blue-and-White Porcelain Sherds Using Handheld and Laboratory-Type XRF Instruments25 cited
    • 2024The Study of Pigments in Cultural Heritage: A Review Using Machine Learning22 cited
    • 2021New Probe for Porcelain Glazes by Luminescence at Near-Infrared Excitation16 cited
    • 2023Timurid, Ottoman, Safavid and Qajar Ceramics: Raman and Composition Classification of the Different Types of Glaze and Pigments14 cited
    • 2019A pXRF In Situ Study of 16th–17th Century Fresco Paints from Sviyazhsk (Tatarstan Republic, Russian Federation)12 cited
    • 2021Advantages and pitfalls of the use of mobile Raman and XRF systems applied on cultural heritage objects in Tuscany (Italy)12 cited
    • 2019The glaze production technology of an early Ottoman pottery (mid-14th(?)-16th century): The case of ‘Miletus Ware’11 cited