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Studies of the courtyard house rest on an ever-present ambiguity that tends to perpetuate the image of a generic and universal type, indifferent to the site and immutable over time. However, the work of Orientalists and Arabists, celebrating the courtyard as the heart of the dar, the extended family, have confused matters in architectural terms. Satisfied with generic symbolic and functional virtues, they have omitted structural and typological components that are essential to the full appreciation of the courtyard house. They have failed to recognize the historical phases which mark the change of the type and its various translations in different geographical locations.
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