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Tusk and transformation in southern African San rock art: an iconographic analysis of WAR2
16 references·0 citing·36 second hop
Tusk and transformation in southern African San rock art: an iconographic analysis of WAR2 (2018)Tusk and transformation in southern Afric…Southern African Field Archaeology (2022)Southern African Field Archae…Rock Art and Ontology (2017)Rock Art and OntologyThose marvellous millennia: the Middle Stone Age of Southern Africa (2015)Those marvellous millennia: t…Early evidence of San material culture represented by organic artifacts from Border Cave, South Africa (2012)Early evidence of San materia…‘Rock-art’, ‘Animism’ and Two-way Thinking: Towards a Complementary Epistemology in the Understanding of Material Culture and ‘Rock-art’ of Hunting and Gathering People (2011)‘Rock-art’, ‘Animism’ and Two…Re-animating Hunter-gatherer Rock-art Research (2009)Re-animating Hunter-gatherer …Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images (2004)Southern African San Rock Pai…Nqabayo’s Nomansland: San Rock Art and the Somatic Past (2004)Nqabayo’s Nomansland: San Roc…Threads of Light: Re-Examining a Motif in Southern African San Rock Art (2000)Threads of Light: Re-Examinin…Nyae Nyae !Kung: beliefs and rites (2000)Nyae Nyae !Kung: beliefs and …The behavior guide to African mammals (1992)The behavior guide to African…The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply] (1988)The Signs of All Times: Entop…Later Stone Age Burial Variability in the Cape: A Social Interpretation (1987)Later Stone Age Burial Variab…A dream of eland: An unexplored component of San shamanism and rock art (1987)A dream of eland: An unexplor…Animals Are Good to Think and Good to Prohibit (1969)Animals Are Good to Think and…Magical Hair. (1958)Magical Hair.Writing Culture: The Poetics and Politics of Ethnography (1986)We have never been modern (1994)Reassembling the Social (2005)Is There Such a Thing as Animism? (2016)Goŋ Gurtha: Enacting response-abilities as situated co-becoming (2018)Style and Social Information in Kalahari San Projectile Points (1983)The revolution that wasn't: a new interpretation of the origin of modern human behavior (2000)Late Pleistocene Demography and the Appearance of Modern Human Behavior (2009)Thinking strings: Additional evidence for personal ornament use in the Middle Stone Age at Blombos Cave, South Africa (2013)Coalescence and fragmentation in the late Pleistocene archaeology of southernmost Africa (2014)Ancestors: The hard evidence (1986)78,000-year-old record of Middle and Later Stone Age innovation in an East African tropical forest (2018)The role of play objects and object play in human cognitive evolution and innovation (2018)The revolution that still isn't: The origins of behavioral complexity in Homo sapiens (2023)Le dessin enfantin (1927)The Medicine Dance of the ! Kung Bushmen (1969)The Evolutionary Emergence of Modern Human Behaviour: Language and its Archaeology (1991)The Archaeology of Religious Ritual (2007)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)Art and Illusion (2017)Late PlioceneHomoand Oldowan Tools from the Hadar Formation (Kada Hadar Member), Ethiopia (1996)Interdisciplinary Approaches to the Oldowan (2009)Were snares and traps used in the Middle Stone Age and does it matter? A review and a case study from Sibudu, South Africa (2009)Privacy Regulation: Culturally Universal or Culturally Specific? (1977)Theory in Anthropology since the Sixties (1984)“Cultural” Concepts and the Language‐Culture Nexus (2004)Compound‐Adhesive Manufacture as a Behavioral Proxy for Complex Cognition in the Middle Stone Age (2010)The Still Bay and Howiesons Poort, 77–59 ka (2011)Secret San of the Drakensberg and their rock art legacy (2009)The earliest directly dated rock paintings from southern Africa: new AMS radiocarbon dates (2017)Symbolic Consensus in a Fang Reformative Cult1 (1965)Gender and body hair: constructing the feminine woman (2003)The Formation of Mortuary Deposits (2011)Hunting, healing, and hxaro exchange (2002)The gripping nature of ochre: The association of ochre with Howiesons Poort adhesives and Later Stone Age mastics from South Africa (2007)Embers of society: Firelight talk among the Ju/’hoansi Bushmen (2014)
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References

  • 1992The behavior guide to African mammals664 cited
  • 1988The Signs of All Times: Entoptic Phenomena in Upper Palaeolithic Art [and Comments and Reply]474 cited
  • 2012Early evidence of San material culture represented by organic artifacts from Border Cave, South Africa451 cited
  • 1969Animals Are Good to Think and Good to Prohibit393 cited
  • 2015Those marvellous millennia: the Middle Stone Age of Southern Africa253 cited
  • 2022Southern African Field Archaeology152 cited
  • 2000Nyae Nyae !Kung: beliefs and rites140 cited
  • 1958Magical Hair.137 cited
  • 2011‘Rock-art’, ‘Animism’ and Two-way Thinking: Towards a Complementary Epistemology in the Understanding of Material Culture and ‘Rock-art’ of Hunting and Gathering People103 cited
  • 2004Nqabayo’s Nomansland: San Rock Art and the Somatic Past79 cited
  • 1987A dream of eland: An unexplored component of San shamanism and rock art74 cited
  • 2004Southern African San Rock Painting as Social Intervention: A Study of Rain-Control Images67 cited
  • 2017Rock Art and Ontology65 cited
  • 1987Later Stone Age Burial Variability in the Cape: A Social Interpretation55 cited
  • 2009Re-animating Hunter-gatherer Rock-art Research

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54 cited
  • 2000Threads of Light: Re-Examining a Motif in Southern African San Rock Art49 cited
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