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Cutting rhythms: shaping the film edit
2 references·14 citing·42 second hop
Cutting rhythms: shaping the film edit (2016)Cutting rhythms: shaping the film editThe Panicking Audience?: Early cinema and the 'train effect' (1999)The Panicking Audience?: Earl…Brain activity during observation of actions. Influence of action content and subject's strategy (1997)Brain activity during observa…The vibrant act of looking (2021)The vibrant act of lookingMovies on Our Minds (2021)Movies on Our MindsThe Empathic Screen (2019)The Empathic ScreenShaping Edits, Creating Fractals (2019)Shaping Edits, Creating Fract…On Rhythm in Film Editing (2019)On Rhythm in Film EditingIntuition in creative film editing practice: using phenomenology to explain editing as an embodied experience (2019)Intuition in creative film ed…Introduction (2019)IntroductionEditing and Cognition beyond Continuity (2017)Editing and Cognition beyond …The evolution of pace in popular movies (2016)The evolution of pace in popu…Shot Durations, Shot Classes, and the Increased Pace of Popular Movies (2015)Shot Durations, Shot Classes,…Understanding The “Dance” In Radical Screendance (2014)Understanding The “Dance” In …Texture in Film (2014)Texture in FilmEmpathy, mirror neurons and SYNC (2014)Empathy, mirror neurons and S…Dissolving the dog: the home made video (2014)Dissolving the dog: the home …The Address of the Eye (1992)The skin of the film: intercultural cinema, embodiment, and the senses (2000)Touch: Sensuous Theory And Multisensory Media (2002)Dimension: Fractal Forms and Periodical Texture (2015)Series spaces: Revisiting and re-evaluating Inspector Morse (2015)Mind, Self, and Society (1967)Does the autistic child have a “theory of mind” ? (1985)Handbook of socialization theory and research (2007)Working Wonders: How to Make the Impossible Happen (2019)Does the chimpanzee have a theory of mind? (1978)Action recognition in the premotor cortex (1996)Premotor cortex and the recognition of motor actions (1996)Neural Circuits Underlying Imitation Learning of Hand Actions (2004)From monkey-like action recognition to human language: An evolutionary framework for neurolinguistics (2005)Brain regions with mirror properties: A meta-analysis of 125 human fMRI studies (2011)Film Art: An Introduction (1979)The Classical Hollywood Cinema: Film Style & Mode of Production to 1960 (1986)What Is Intelligence? (2007)TikTok and Political Communication: The Latest Frontier of Politainment? A Case Study (2023)Story and Discourse: Narrative Structure in Fiction and Film (1979)Narrative Analysis: Oral Versions of Personal Experience1 (1997)The Tacit Dimension (1997)A Review of Evidence on the Role of Digital Technology in Shaping Attention and Cognitive Control in Children (2021)Why and How Did Narrative Fictions Evolve? Fictions as Entertainment Technologies (2022)Post-Theory. Reconstructing Film Studies (1997)The Attentional Theory of Cinematic Continuity (2012)Body – Language – Communication: An International Handbook on Multimodality in Human Interaction (2013)Enacting the Worlds of Cinema (2022)Creating character in editing (2023)Film Form: Essays in Film Theory (1949)The New Princeton Encyclopedia of Poetry and Poetics (1994)Theorizing the moving image. (1996)A simplest systematics for the organization of turn-taking for conversation (1974)Telling more than we can know: Verbal reports on mental processes. (1977)A circumplex model of affect. (1980)Characters in Film and Other Media (2025)The Interpersonal World of the Infant (2018)Epilogue (2020)How Motion Shapes Thought in Cinema (2020)Lumiere's Arrival of the Train: Cinema's Founding Myth (2004)If software is narrative: Joseph Weizenbaum, artificial intelligence and the biographies of ELIZA (2018)Deceitful Media (2021)
this work references cited by second hop

References

  • 1997Brain activity during observation of actions. Influence of action content and subject's strategy944 cited
  • 1999The Panicking Audience?: Early cinema and the 'train effect'189 cited

Cited by

  • 2019The Empathic Screen123 cited
  • 2014Empathy, mirror neurons and SYNC76 cited
  • 2015Shot Durations, Shot Classes, and the Increased Pace of Popular Movies65 cited
  • 2016The evolution of pace in popular movies50 cited
  • 2014Texture in Film37 cited
  • 2021Movies on Our Minds33 cited
  • 2017Editing and Cognition beyond Continuity28 cited
  • 2019On Rhythm in Film Editing19 cited
  • 2019Shaping Edits, Creating Fractals14 cited
  • 2014Understanding The “Dance” In Radical Screendance11 cited
  • 2014Dissolving the dog: the home made video6 cited
  • 2019Intuition in creative film editing practice: using phenomenology to explain editing as an embodied experience6 cited
  • 2021The vibrant act of looking5 cited
  • 2019Introduction0 cited

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