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Linseed oil as a model system for surface enhanced Raman spectroscopy detection of degradation products in artworks
12 references·4 citing·39 second hop
Linseed oil as a model system for surface enhanced Raman spectroscopy detection of degradation products in artworks (2018)Linseed oil as a model system for surface…Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Raman Spectroscopy of cultura…Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Methodological evolutions of …Surface‐enhanced Raman spectroscopy in art and archaeology (2015)Surface‐enhanced Raman spectr…Polymers and volatiles: Using VOC analysis for the conservation of plastic and rubber objects (2014)Polymers and volatiles: Using…New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study (2012)New Insights into the Ageing …Raman and FTIR microspectroscopic study of the alteration of Chinese tung oil and related drying oils during ageing (2011)Raman and FTIR microspectrosc…Discrimination of aged mixtures of lipidic paint binders by Raman spectroscopy and chemometrics (2011)Discrimination of aged mixtur…Surface-Enhanced Raman Spectroscopy: A Direct Method to Identify Colorants in Various Artist Media (2009)Surface-Enhanced Raman Spectr…A Decade of Raman Spectroscopy in Art and Archaeology (2007)A Decade of Raman Spectroscop…Solvent-Extractable Components of Linseed Oil Paint Films (2003)Solvent-Extractable Component…Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analysis with micro-Raman spe…The Effects of Some Common Pigments on the Photo-Oxidation of Linseed Oil-Based Paint Media (1980)The Effects of Some Common Pi…Sensing soluble molecules through SERS substrates in one-step procedure: unrevealing the Meiji woodblock printing materials (2022)Sensing soluble molecules thr…Microscale mechanochemical characterization of drying oil films by in situ correlative Brillouin and Raman spectroscopy (2022)Microscale mechanochemical ch…Combined Use of Non-Invasive and Micro-Invasive Analytical Investigations to Understand the State of Conservation and the Causes of Degradation of I Tesori del Mare (1901) by Plinio Nomellini (2022)Combined Use of Non-Invasive …Changes in latent fingermark glyceride composition as a function of sample age using UPLC-IMS-QToF-MS E (2020)Changes in latent fingermark …Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Synthetic organic pigments of the 20th and 21st century relevant to artist's paints: Raman spectra reference collection (2008)Identification of Organic Colorants in Fibers, Paints, and Glazes by Surface Enhanced Raman Spectroscopy (2010)Investigating Asian colourants in Chinese textiles from Dunhuang (7th-10th century AD) by high performance liquid chromatography tandem mass spectrometry – Towards the creation of a mass spectra database (2018)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Advanced discriminating criteria for natural organic substances of Cultural Heritage interest: Spectral decomposition and multivariate analyses of FT-Raman and FT-IR signatures (2013)Identification of artistic materials in paintings and drawings by Raman spectroscopy: some challenges and future outlook (2015)The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)Analysis of drying oils used as binding media for objects of art by capillary electrophoresis with indirect UV and conductivity detection (2003)Study of Aging in Oil Paintings by 1D and 2D NMR Spectroscopy (2004)The influence of lead ions on the drying of oils (2005)Modern analytical methods in art and archaeology (2000)Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Raman identification of natural red to yellow pigments: ochre and iron‐containing ores (2008)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)The Organic Chemistry of Museum Objects (1988)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Organic Mass Spectrometry in Art and Archaeology (2009)Lead soaps in paintings: Friends or foes? (2016)The drying of linseed oil investigated by Fourier transform infrared spectroscopy: Historical recipes and influence of lead compounds (2016)A review of solvent action on oil paint (2020)Raman spectroscopic database of azo pigments and application to modern art studies (2000)Historical organic dyes: a surface‐enhanced Raman scattering (SERS) spectral database on Ag Lee–Meisel colloids aggregated by NaClO4 (2011)Nondestructive Identification of Natural and Synthetic Organic Colorants in Works of Art by Surface Enhanced Raman Scattering (2011)Tip-Enhanced Raman Spectroscopy (TERS) for in Situ Identification of Indigo and Iron Gall Ink on Paper (2014)Analytical Techniques in Materials Conservation (2007)Material Degradomics: On the Smell of Old Books (2009)Application of Chemical and Thermal Analysis Methods for Studying Cellulose Ester Plastics (2010)Emissions from polymeric materials: Characterised by thermal desorption-gas chromatography (2013)Analysis and quantitation of volatile organic compounds emitted from plastics used in museum construction by evolved gas analysis–gas chromatography–mass spectrometry (2015)Classifying Degraded Modern Polymeric Museum Artefacts by Their Smell (2018)Raman microscopy in archaeological science (2004)Painting Materials: A Short Encyclopedia (2011)Heated goethite and natural hematite: Can Raman spectroscopy be used to differentiate them? (2007)Multi-analytical and non-invasive characterization of the polychromy of wall paintings at the Domus of Octavius Quartio in Pompeii (2018)Critical evaluation of portable Raman spectrometers: From rock outcrops and planetary analogs to cultural heritage – A review (2021)In situ Raman spectroscopy for cultural heritage studies (2021)
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References

  • 2007A Decade of Raman Spectroscopy in Art and Archaeology383 cited
  • 2000Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art376 cited
  • 2015Surface‐enhanced Raman spectroscopy in art and archaeology148 cited
  • 2012New Insights into the Ageing of Linseed Oil Paint Binder: A Qualitative and Quantitative Analytical Study129 cited
  • 2016Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing129 cited
  • 2009Surface-Enhanced Raman Spectroscopy: A Direct Method to Identify Colorants in Various Artist Media122 cited
  • 2011Raman and FTIR microspectroscopic study of the alteration of Chinese tung oil and related drying oils during ageing120 cited
  • 2016Methodological evolutions of Raman spectroscopy in art and archaeology89 cited
  • 2014Polymers and volatiles: Using VOC analysis for the conservation of plastic and rubber objects70 cited
  • 1980The Effects of Some Common Pigments on the Photo-Oxidation of Linseed Oil-Based Paint Media70 cited
  • 2011Discrimination of aged mixtures of lipidic paint binders by Raman spectroscopy and chemometrics38 cited
  • 2003Solvent-Extractable Components of Linseed Oil Paint Films34 cited

Cited by

  • 2020Changes in latent fingermark glyceride composition as a function of sample age using UPLC-IMS-QToF-MS E

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15 cited
  • 2022Combined Use of Non-Invasive and Micro-Invasive Analytical Investigations to Understand the State of Conservation and the Causes of Degradation of I Tesori del Mare (1901) by Plinio Nomellini12 cited
  • 2022Microscale mechanochemical characterization of drying oil films by in situ correlative Brillouin and Raman spectroscopy12 cited
  • 2022Sensing soluble molecules through SERS substrates in one-step procedure: unrevealing the Meiji woodblock printing materials8 cited