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Drawing on the recent infrastructural turn in the social sciences, this article proposes that we understand visuality in terms of infrastructure. In this context, a distinction can be posed between films of thick visuality and others of thin visuality. While this is a general proposition, the archive this article works is that of Latin American film and criticism.
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Stored only when both papers are in the corpus — 8 citations exist upstream.
Papers that cite the same references — the relational fallback while embeddings are still backfilling.
Imported from OpenAlex (CC0) — nothing here is generated.