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ON FEDELE FENAROLI'S PEDAGOGY: AN UPDATE
13 references·1 citing·27 second hop
ON FEDELE FENAROLI'S PEDAGOGY: AN UPDATE (2018)ON FEDELE FENAROLI'S PEDAGOGY: AN UPDATETHE MYSTERY OF THE CADENTIAL SIX-FOUR (2015)THE MYSTERY OF THE CADENTIAL …Counterpoint and Partimento: Methods of Teaching Composition in Late Eighteenth-Century Naples (2015)Counterpoint and Partimento: …The art of partimento: history, theory, and practice (2012)The art of partimento: histor…The Art of Partimento: History, Theory, and Practice (2012)The Art of Partimento: Histor…Rameau’s Changing Views on Supposition and Suspension (2012)Rameau’s Changing Views on Su…Partimento and Continuo Playing in Theory and in Practice (2010)Partimento and Continuo Playi…Music in the Galant Style (2007)Music in the Galant StyleCompositional Theory in the Eighteenth Century (1994)Compositional Theory in the E…Compositional theory in the eighteenth century (1993)Compositional theory in the e…Traité de l'harmonie (1992)Traité de l'harmonieRameau's "L'Art de la Basse Fondamentale" (1987)Rameau's "L'Art de la Basse F…L'armonico pratico al cimbalo (1967)L'armonico pratico al cimbaloThe practical harmonist at the harpsichord (1963)The practical harmonist at th…Yet Another Galant Schema: The Dominant Pedal Accompanied by a Chromatic Descent (2022)Yet Another Galant Schema: Th…Über Sinn und Bedeutung (1892)The New Grove Dictionary of Music and Musicians (1981)The harmonic implications of the non-harmonic tones in the four-part chorales of Johann Sebastian Bach (2013)Rameau’s Theory of Supposition and French Baroque Harmonic Practice (2016)The Time It Takes to Listen (2017)Encyclopédie ou Dictionnaire raisonné des sciences, des arts et des métiers (2019)TRAZOM'S WIT: COMMUNICATIVE STRATEGIES IN A ‘POPULAR’ YET ‘DIFFICULT’ SONATA (2013)THE MORTE: A GALANT VOICE-LEADING SCHEMA AS EMBLEM OF LAMENT AND COMPOSITIONAL BUILDING-BLOCK (2015)Gjerdingen’s Schemata Reexamined (2018)Modal Theory, Church Keys, and the Sonata at the End of the Seventeenth Century (1998)Tonal organization in seventeenth-century music theory (2002)The Cambridge History of Musical Performance (2012)The "Unwelcome Guest" Regaled: Franz Liszt and the Augmented Traid (1988)The conceptgalantin the 18th century (1989)A Quantitative Study of Chromaticism: Changes Observed in Historical Eras and Individual Composers (2007)Chromatic Transformations in Nineteenth-Century Music (2002)Music theory and mathematics (2002)Nineteenth-century harmonic theory: the Austro-German legacy (2002)The Volta: A Galant Gesture of Culmination (2020)Child Composers in the Old Conservatories: How Orphans Became Elite Musicians (2022)The Predominant Six-Four in the Late Music of Richard Strauss (2023)Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791 (2009)Towards a generative syntax of tonal harmony (2011)M eyer's Anvil: Revisiting the Schema Concept (2012)Theories of musical rhythm in the eighteenth and nineteenth centuries (2002)Vocal performance in the seventeenth century (2012)Music, Modernity, and God (2013)
this work references cited by second hop

References

  • 2007Music in the Galant Style432 cited
  • 1993Compositional theory in the eighteenth century158 cited
  • 2012The art of partimento: history, theory, and practice149 cited
  • 1994Compositional Theory in the Eighteenth Century88 cited
  • 2015Counterpoint and Partimento: Methods of Teaching Composition in Late Eighteenth-Century Naples79 cited
  • 2012The Art of Partimento: History, Theory, and Practice59 cited
  • 1967L'armonico pratico al cimbalo54 cited
  • 1992Traité de l'harmonie39 cited
  • 2015THE MYSTERY OF THE CADENTIAL SIX-FOUR24 cited
  • 2012Rameau’s Changing Views on Supposition and Suspension16 cited
  • 1987Rameau's "L'Art de la Basse Fondamentale"12 cited
  • 2010Partimento and Continuo Playing in Theory and in Practice9 cited
  • 1963The practical harmonist at the harpsichord7 cited

Cited by

  • 2022Yet Another Galant Schema: The Dominant Pedal Accompanied by a Chromatic Descent2 cited

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