When Is a Thing? Transduction and Immediacy in Afro-Cuban Ritual; or, ANT in Matanzas, Cuba, Summer of 1948

Abstract

Abstract Revisiting William R. Bascom's 1948 ethnography of Afro-Cuban religious practices in Jovellanos (a semi-urban site in Cuba's Province of Matanzas) in light of current theoretical concerns in our discipline, this essay constitutes a thought experiment. As such it seeks to re-describe some of Bascom's data in terms of Actor-Network Theory, to see if his patent puzzlement over his interlocutors’ statements concerning the liveliness and even personhood of mineral objects—stones that embody, rather than represent deities—can be resolved that way. At the same time, I offer a critique of current attempts to redefine our discipline's mission under the sign of an “ontological turn” that recurs to notions of radical alterity that strike me as potentially essentialist, and certainly profoundly ahistorical. Drawing on Karen Barad's theories of “agential realism,” I suggest that contemporary concerns with post-humanist anti-representationalism need to be tempered by a view of our epistemic pursuits, including those of anthropology, as embedded in thoroughly historical—and so fundamentally emergent—ontologies. In light of such considerations, the essay concludes with a vision of anthropology as a form of knowledge that cannot afford to evade the historical transformations of the social worlds it aims to illuminate, nor those of the concurrent transformations in its own epistemic orientations. Instead, it must reframe its goals in terms of conjunctures of ontologies and epistemologies of mutually relational and, most importantly, historical scope.

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