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Cited by

• 2022BTS for BLM: K-pop, Race, and Transcultural Fandom33 cited
• 2022Trammelled stars: the non-autonomy of female K-pop idols15 cited
• 2020Body Modification in East Asia: History and Debates14 cited
• 2023The bittersweet of consumer–human brand relationships in the social media context14 cited
• 2024The intersection of “real” and “reel”: An investigation of K-pop idol dual self-presentation, paid advertisements, and fan engagement8 cited
• 2024Do K-Pop Consumers’ Fandom Activities Affect Their Happiness, Listening Intention, and Loyalty?7 cited
• 2020Popular Culture and the Transformation of Japan–Korea Relations6 cited
• 2023The Role-playing Self: Virtual Ethnography Study of K-Pop Fans’ Idol-roleplaying and Self-identity in Twitter6 cited
• 2021Idol Ads in the Seoul Metro: K‐pop Fandom, Appropriation of Subway Space, and the Right to the City5 cited
• 2021Narratives of the homoerotic soldier: the fleshiness of the South Korean military5 cited
• 2024Into the purple ocean: The formation and dynamics of a transcultural fandom as a result of cultural diffusion through K-pop.5 cited
• 2023Love in Imagination: A Comparative Analysis Between Chinese K-pop Fans and Esports Fans Regarding Their Parasocial Interaction and Relationship Towards the Virtual Idol Group K/DA3 cited