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Facilitative Agency in Performance
16 references·0 citing·28 second hop
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References

  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven699 cited
  • 1998Classical Form533 cited
  • 2007Music in the Galant Style435 cited
  • 2005Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert427 cited
  • 1986Music Theory, Phenomenology, and Modes of Perception319 cited
  • 2011In the Process of Becoming: Analytic and Philosophical Perspectives on Form in Early Nineteenth-Century Music242 cited
  • 2014Beyond the Score166 cited
  • 1999Bodily Hearing: Physiological Metaphors and Musical Understanding133 cited
  • 2000Aural Skills Acquisition: The Development of Listening, Reading, and Performing Skills in College-Level Musicians95 cited
  • 1995Analysis and the act of performance74 cited
  • 2008Deepening musical performance through movement: the theory and practice of embodied interpretation55 cited
  • 2017A Theory of Musical Gesture and its Application to Beethoven and Schubert46 cited
  • 1999Strange dimensions: regularity and irregularity in deep levels of rhythmic reduction32 cited
  • 2008P erformance , G rouping and S chenkerian A lternative R eadings in S ome P assages from B eethoven ’ s ‘L ebewohl ’ S onata13 cited
  • 2013

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Improvisation, Analysis, and Listening Otherwise
11 cited
  • 2012Theorizing Pianistic Experience: Tradition, Instrument, Performer4 cited
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