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THE PRODUCTION OF POLYPHONIC MANUSCRIPTS IN THIRTEENTH-CENTURY PARIS: NEW EVIDENCE FOR STANDARDISED PROCEDURES
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References

  • 1990Music and ceremony at Notre Dame of Paris, 500-1550208 cited
  • 1992Scribes and Illuminators162 cited
  • 2003The Palaeography of Gothic Manuscript Books: From the Twelfth to the Early Sixteenth Century116 cited
  • 2005Grammar and Philosophy in Late Antiquity97 cited
  • 2009Berenguela of Castile (1180–1246) and Political Women in the high middle ages86 cited
  • 1987Notre Dame Manuscripts and Their Owners: Lost and Found78 cited
  • 2008Quomodo cantabimus canticum? : studies in honor of Edward H. Roesner75 cited
  • 1937La pecia dans les manuscrits universitaires du XIII et du XIV siecle74 cited
  • 1993Plainsong in the Age of Polyphony70 cited
  • 1990From Paris to St. Andrews: The Origins of W168 cited
  • 2011The Cambridge Companion to Medieval Music63 cited
  • 1972The Johannes Grusch Atelier and the Continental Origins of the William of Devon Painter60 cited
  • 1972Thirteenth-Century Illuminated Miniatures and the Date of the Florence Manuscript55 cited
  • 1976The Origins of W146 cited
  • 2013CONTRAFACTA AND TRANSCRIBED MOTETS: VERNACULAR INFLUENCES ON LATIN MOTETS AND CLAUSULAE IN THE FLORENCE MANUSCRIPT45 cited

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2009
Speculative 'Musica' and the Medieval University of Paris
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