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Pleasure, Ambivalence, Identification: Valentino and Female Spectatorship
1 references·16 citing·49 second hop
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this work references cited by second hop

References

  • 2013The Other Question: The Stereotype and Colonial Discourse195 cited

Cited by

  • 1991Gender and culture of empire: Toward a feminist ethnography of the cinema126 cited
  • 1989The Politics of Male Suffering: Masochism and Hegemony in the American Renaissance71 cited
  • 2009Memory, Empathy, and the Politics of Identification62 cited
  • 2006Black Venus, Blonde Venus49 cited
  • 2012The Muhannad Effect: Media Panic, Melodrama, and the Arab Female Gaze47 cited
  • 2000The Dictator's Seduction: Gender and State Spectacle during the Trujillo Regime43 cited
  • 2010Mediated Exhibitionism: The Naked Body in Performance and Virtual Space36 cited
  • 1999Popular Sexual Knowledges and Women's Agency in 1920s England: Marie Stopes's Married Love and E.M. Hull's the Sheik33 cited
  • 2015Radio and the Gendered Soundscape: Women and Broadcasting in Argentina and Uruguay, 1930–195028 cited
  • 1990Play It Again, Sigmund: Psychoanalysis and the Classical Hollywood Text25 cited
  • 2001Introduction: Female Stardom and Early Film History23 cited
  • 2019The allure of celebrities: unpacking their polysemic consumer appeal23 cited
  • 2006The Black Dandy as Bad Modernist22 cited
  • 1999

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"A Sawce-box and Boldface Indeed": Refiguring the Female Servant in the Pamela-Antipamela Debate
21 cited
  • 2006Virginia Woolf’s Evasion19 cited
  • 1991Masquerading As the American Male in the Fifties: Picnic, William Holden and the Spectacle of Masculinity in Hollywood Film14 cited