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Simulating the composition and structuration of coloring layers in historical painting from non-invasive spectral reflectance measurements
9 references·0 citing·40 second hop
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this work references cited by second hop

References

  • 2017Identification of natural red and purple dyes on textiles by Fiber-optics Reflectance Spectroscopy80 cited
  • 2011Library of UV–Vis–NIR reflectance spectra of modern organic dyes from historic pattern-card coloured papers65 cited
  • 2006Quantitative characterisation of pigment mixtures used in art by fibre-optics diffuse-reflectance spectroscopy57 cited
  • 2016A multi-technique approach to the chemical characterization of colored inks in contemporary art: The materials of Lucio Fontana34 cited
  • 2005Application of the second derivative of the Kubelka–Munk function to the semiquantitative analysis of Roman paintings29 cited
  • 2007Evaluating Single- and Two-Constant Kubelka-Munk Turbid Media Theory for Instrumental-Based Inpainting24 cited
  • 2014Hyper-Spectral Acquisition on Historically Accurate Reconstructions of Red Organic Lakes21 cited
  • 2017Independent macroscopic chemical mappings of cultural heritage materials with reflectance imaging spectroscopy: case study of a 16 th century Aztec manuscript15 cited
  • 2016Estimation of semiconductor-like pigment concentrations in paint mixtures and their differentiation from paint layers using first-derivative reflectance spectra11 cited

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