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Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile)
16 references·13 citing·34 second hop
Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile) (2018)Characterization of pigments and binders …Cinnabar reviewed: characterization of the red pigment and its reactions (2014)Cinnabar reviewed: characteri…Vibrational spectroscopy correlated with elemental analysis for the investigation of smalt pigment and its alteration in paintings (2013)Vibrational spectroscopy corr…Micro‐Raman spectroscopy of carbon‐based black pigments (2012)Micro‐Raman spectroscopy of c…Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. Paths for the identification of an artistic pigment (2011)Spectroscopic, morphological …In situ Raman and IR spectroscopic analysis of indigo dye (2010)In situ Raman and IR spectros…Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification (2007)Raman Spectra of Proteinaceou…GC–MS identification of proteins in wall painting samples: A fast clean-up procedure to remove copper-based pigment interferences (2007)GC–MS identification of prote…On the Raman spectrum of Maya blue (2006)On the Raman spectrum of Maya…Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample (2006)Combined GC/MS Analytical Pro…Raman spectroscopy of selected copper minerals of significance in corrosion (2003)Raman spectroscopy of selecte…Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass (2003)Catalogue of 45 reference Ram…Analysis of green copper pigments in illuminated manuscripts by micro-Raman spectroscopy (2003)Analysis of green copper pigm…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Arte de la pintura: 10000 (1990)Arte de la pintura: 10000The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…VERMILION AND CINNABAR (1972)VERMILION AND CINNABARPigments, minerals, and copper-corrosion products: Terahertz continuous wave (THz-CW) spectroscopic characterization of antlerite and atacamite (2024)Pigments, minerals, and coppe…Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting (2023)Methodologies for the Charact…In situ analysis of pigments on the murals of Yanshan Temple in Fanshi County, Shanxi Province, China by portable Raman and XRF spectrometers (2023)In situ analysis of pigments …Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals (2023)Identification of pigments an…High performance liquid chromatography as a micro-destructive technique for the identification of anthraquinone red dyestuffs in cultural heritage objects (2023)High performance liquid chrom…Visualization and mapping of literature on the scientific analysis of wall paintings: a bibliometric analysis from 2011 to 2021 (2022)Visualization and mapping of …Investigation of Gold Gilding Materials and Techniques Applied in the Murals of Kizil Grottoes, Xinjiang, China (2022)Investigation of Gold Gilding…A Comparative Study of the Method to Rapid Identification of the Mural Pigments by Combining LIBS-Based Dataset and Machine Learning Methods (2022)A Comparative Study of the Me…Physical and Chemical Characterisation of the Pigments of a 17th-Century Mural Painting in the Spanish Caribbean (2021)Physical and Chemical Charact…Identification and characterization of basic copper sulfates as mineral green pigments in Andean colonial mural paintings: Use of temperature‐controlled stage for the study of thermal induced antlerite degradation (2021)Identification and characteri…Isotopic composition of lead white pigments on qeros: implications for the chronology and production of Andean ritual drinking vessels during the colonial era (2020)Isotopic composition of lead …In search of Humboldt’s colors: materials and techniques of a 17th-century lacquered gourd from Colombia (2020)In search of Humboldt’s color…An imaging and spectroscopic methodology for in situ analysis of ceiling and wall decorations in Colonial missions in Northern Mexico from XVII to XVIII centuries (2020)An imaging and spectroscopic …Infrared Spectroscopy in Conservation Science (2000)Earth pigments in painting: characterisation and differentiation by means of FTIR spectroscopy and SEM-EDS microanalysis (2005)Pigment Compendium : A Dictionary and Optical Microscopy of Historical Pigments (2005)A multi-analytical methodology of lithic residue analysis applied to Paleolithic tools from Hummal, Syria (2013)FTIR study of ageing of fast drying oil colour (FDOC) alkyd paint replicas (2014)Developing FTIR microspectroscopy for analysis of plant residues on stone tools (2017)Cross-Sections and Chemical Analysis of Paint Samples (1956)Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)Applications of synchrotron-based micro-imaging techniques to the chemical analysis of ancient paintings (2008)Chemical Alteration and Use of Beeswax Through Time: Accelerated Ageing Tests and Analysis of Archaeological Samples from Various Environmental Contexts (2001)Border Cave and the beginning of the Later Stone Age in South Africa (2012)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Symbolic use of marine shells and mineral pigments by Iberian Neandertals (2010)Maya Blue: A Computational and Spectroscopic Study (2005)A Decade of Raman Spectroscopy in Art and Archaeology (2007)Micro‐Raman spectroscopic analysis of inks and pigments in illuminated medieval old‐Slavonic manuscripts (2012)Pretreatment Strategies for SERS Analysis of Indigo and Prussian Blue in Aged Painted Surfaces (2012)Methodological evolutions of Raman spectroscopy in art and archaeology (2016)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Raman Spectroscopy of cultural heritage Materials: Overview of Applications and New Frontiers in Instrumentation, Sampling Modalities, and Data Processing (2016)Raman spectroscopy of minerals and mineral pigments in archaeometry (2016)Raman spectroscopic library of medieval pigments collected with five different wavelengths for investigation of illuminated manuscripts (2018)Comparison between micro-Raman and micro-FTIR spectroscopy techniques for the characterization of pigments from Southern Spain Cultural Heritage (2008)Study of the GC–MS determination of the palmitic–stearic acid ratio for the characterisation of drying oil in painting: La Encarnación by Alonso Cano as a case study (2011)Pigment-size effect on the physico-chemical behavior of azurite-tempera dosimeters upon natural and accelerated photo aging (2017)Raman microscopy in archaeological science (2004)Electrochemical and spectroscopic characterizations of patinas formed on an archaeological bronze coin (2005)In situ analysis of mediaeval wall paintings: a challenge for mobile Raman spectroscopy (2005)Micro-Raman study of copper hydroxychlorides and other corrosion products of bronze samples mimicking archaeological coins (2011)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)
this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1988The Organic Chemistry of Museum Objects686 cited
  • 2003Catalogue of 45 reference Raman spectra of minerals concerning research in art history or archaeology, especially on corroded metals and coloured glass422 cited
  • 2003Raman spectroscopy of selected copper minerals of significance in corrosion246 cited
  • 2006Combined GC/MS Analytical Procedure for the Characterization of Glycerolipid, Waxy, Resinous, and Proteinaceous Materials in a Unique Paint Microsample199 cited
  • 2012Micro‐Raman spectroscopy of carbon‐based black pigments186 cited
  • 1972VERMILION AND CINNABAR156 cited
  • 2010In situ Raman and IR spectroscopic analysis of indigo dye133 cited
  • 1990Arte de la pintura: 10000109 cited
  • 2011Spectroscopic, morphological and chemical characterization of historic pigments based on carbon. Paths for the identification of an artistic pigment105 cited
  • 2007Raman Spectra of Proteinaceous Materials Used in Paintings: A Multivariate Analytical Approach for Classification and Identification98 cited
  • 2014Cinnabar reviewed: characterization of the red pigment and its reactions95 cited
  • 2003Analysis of green copper pigments in illuminated manuscripts by micro-Raman spectroscopy79 cited

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  • 2007GC–MS identification of proteins in wall painting samples: A fast clean-up procedure to remove copper-based pigment interferences70 cited
  • 2006On the Raman spectrum of Maya blue68 cited
  • 2013Vibrational spectroscopy correlated with elemental analysis for the investigation of smalt pigment and its alteration in paintings53 cited
  • Cited by

    • 2022Visualization and mapping of literature on the scientific analysis of wall paintings: a bibliometric analysis from 2011 to 202123 cited
    • 2023Identification of pigments and binders of a 17th century mural painting (Bolivia). New report on pigments associated with Andean minerals17 cited
    • 2024Pigments, minerals, and copper-corrosion products: Terahertz continuous wave (THz-CW) spectroscopic characterization of antlerite and atacamite15 cited
    • 2022Investigation of Gold Gilding Materials and Techniques Applied in the Murals of Kizil Grottoes, Xinjiang, China14 cited
    • 2020An imaging and spectroscopic methodology for in situ analysis of ceiling and wall decorations in Colonial missions in Northern Mexico from XVII to XVIII centuries13 cited
    • 2020In search of Humboldt’s colors: materials and techniques of a 17th-century lacquered gourd from Colombia13 cited
    • 2021Identification and characterization of basic copper sulfates as mineral green pigments in Andean colonial mural paintings: Use of temperature‐controlled stage for the study of thermal induced antlerite degradation13 cited
    • 2023Methodologies for the Characterization and Identification of Natural Atacamite as a Pigment in Andean Colonial Painting11 cited
    • 2022A Comparative Study of the Method to Rapid Identification of the Mural Pigments by Combining LIBS-Based Dataset and Machine Learning Methods10 cited
    • 2023In situ analysis of pigments on the murals of Yanshan Temple in Fanshi County, Shanxi Province, China by portable Raman and XRF spectrometers9 cited
    • 2020Isotopic composition of lead white pigments on qeros: implications for the chronology and production of Andean ritual drinking vessels during the colonial era9 cited
    • 2021Physical and Chemical Characterisation of the Pigments of a 17th-Century Mural Painting in the Spanish Caribbean9 cited
    • 2023High performance liquid chromatography as a micro-destructive technique for the identification of anthraquinone red dyestuffs in cultural heritage objects8 cited