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Killer Pov: First-Person Camera and Sympathetic Identification in Modern Horror
5 references·0 citing·15 second hop
Killer Pov: First-Person Camera and Sympathetic Identification in Modern Horror (2018)Killer Pov: First-Person Camera and Sympa…Spectacle horror and Hostel: why ‘torture porn’ does not exist (2011)Spectacle horror and Hostel: …Uncanny bodies: the coming of sound film and the origins of the horror genre (2008)Uncanny bodies: the coming of…Gaming: essays on algorithmic culture (2007)Gaming: essays on algorithmic…The Address of the Eye: A Phenomenology of Film Experience (1993)The Address of the Eye: A Phe…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Horror to the Extreme: Changing Boundaries in Asian Cinema (2009)Mary Shelley’s Frankenstein (2013)Monstrous Forms (2019)Millennial Fears (2014)Torture Porn (2014)Confronting a Paradox: A New Perspective of the Impact of Uncertainty in Suspense (2018)Beyond Play (2007)Digital Arabs (2008)Advancements in technology and digital media in tourism (2021)My Life as a Night Elf Priest (2010)Media and Participation: A site of ideological-democratic struggle (2011)The Commodification of the Body Positive Movement on Instagram (2016)Handbook of Phenomenological Aesthetics (2009)Jean Epstein : Critical Essays and New Translations (2012)The Empathic Screen (2019)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema1,139 cited
  • 2007Gaming: essays on algorithmic culture689 cited
  • 1993The Address of the Eye: A Phenomenology of Film Experience352 cited
  • 2008Uncanny bodies: the coming of sound film and the origins of the horror genre59 cited
  • 2011Spectacle horror and Hostel: why ‘torture porn’ does not exist28 cited

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