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‘Press play for pride’: The cultural logics of LGBTQ-themed playlists on Spotify
14 references·3 citing·38 second hop
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References

  • 2004The twilight of equality?: neoliberalism, cultural politics, and the attack on democracy2,989 cited
  • 2001Sounding out the city: personal stereos and the management of everyday life507 cited
  • 2003Textual Analysis449 cited
  • 2013The music industry: music in the cloud326 cited
  • 2015Control, curation and musical experience in streaming music services248 cited
  • 2015The Playlist Experience: Personal Playlists in Music Streaming Services216 cited
  • 2002Music and everyday life179 cited
  • 2013Queering the Popular Pitch153 cited
  • 2016Social streaming? Navigating music as personal and social96 cited
  • 2000The Theory of Cultural Logic67 cited
  • 2010Queer Temporalities and the Significance of ‘Music Scene’ Participation in the Social Identities of Middle-aged Queers59 cited
  • 2005Mixed Blessings: The Commercial Mix and the Future of Music Aggregation55 cited
  • 2016Consuming Music in the Digital Age55 cited
  • 1997Mapping subversion:Queercore music's playful discourse of resistance41 cited

Cited by

  • 2023Compelled TikTok creators? The ambivalent affordances of the short video app for Filipino musicians

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11 cited
  • 2024The Mediation of Genre, Identity, and Difference in Contemporary (Popular) Music Streaming9 cited
  • 2023Music consumption and taste internalisation practices among educated Brazilian metal listeners and members of musical scenes4 cited