Ethno-nationally divided cities and the use of art for purposes of conflict resolution and urban regeneration

Abstract

This paper examines ethno-nationally divided cities and how the arts are used in such contexts for conflict resolution and urban regeneration. Three ethno-nationally divided cities at different stages of conflict resolution – Jerusalem, Nicosia, Belfast – are juxtaposed and explored. Ethno-nationally divided cities, which have become defined by their separation, are increasingly being studied to understand a common urban experience, to consider how partition politics develop and to learn how to best avoid them. Parallel art practices are also noted in these three urban milieus, in so far as they aim to assist conflict resolution and create zones that facilitate social transformation. This article addresses the use of art as a tool of social cohesion, through examination of art projects targeted at ethno-national division and conflict. Looking at three different, but similar, cities demonstrates how art has been used at different stages of the desegregation process, and how these processes can potentially lead to new patterns of divisions. The use of the arts in divided city contexts is related to art used in broader urban contexts to address segregation and facilitate social engagement and shared spaces.

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