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ResumoOpresenteestudopretendeanalisarcomoocorreuoprocessodeterritorializaçãorelacionadoadistintosgruposidentitáriosvinculadosaogêneromusicalintituladoheavy-metal,nocontextodaBeloHorizontedosanos1980s.Paratal,apesquisabuscasuporteemconceitosdaGeografiaCulturaledaAntropologia,necessários àcompreensãodadistribuiçãoespacialdoMetalbelo-horizontino.Otrabalho faz uso deentrevistaselaboradasjuntoaosmembrosdasbandasdorecortetemporo-espacialproposto como metodologia de coleta de dados.Osresultadosindicamqueacena heavy-metaldeBeloHorizontepossuíagrandeabrangênciaterritorial, sobretudo pericentral e central, contandocomdiversosespaçosdedicadosaoestilomusical.Palavras-chave:Metal,Território, Lugar, Pedaço, Mancha, Trajeto, Circuito.Abstract The study intended to analyze how the process of territorialization related to different identity groups linked to the musical genre called heavy-metal in 1980s’ Belo Horizonte. For this, the researchers seeked support in the concepts of Cultural Geography and Anthropology, necessary to the understanding of the spatial distribution in the city. The work used interviews with members of the heavy-metal bands in Belo Horizonte as a methodology of data gathering. The results indicate that the heavy-metal scenario of Belo Horizonte had a great territorial coverage, mainly pericentral and central, counting on several spaces dedicated to the musical style.Keywords: Metal, Territory, Place, Piece, Spot, Path, Circuit. Palavras-chave:Metal,Território,Lugar,Pedaço,Mancha,Trajeto,Circuito.
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