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“L’Ornement mystérieux” and Mark Kroll’s revision of the French baroque performance practice
11 references·0 citing·18 second hop
“L’Ornement mystérieux” and Mark Kroll’s revision of the French baroque performance practice (2018)“L’Ornement mystérieux” and Mark Kroll’s …Premier livre de pièces de clavecin (1759) (2016)Premier livre de pièces de cl…Sébastien de Brossard’sDictionnaireof 1701: a comparative analysis of the complete copy (2015)Sébastien de Brossard’sDictio…The New Grove dictionary of music and musicians (2001)The New Grove dictionary of m…Second livre de pièces de clavecin (1999)Second livre de pièces de cla…Performance Practices of the Seventeenth and Eighteenth Centuries (1996)Performance Practices of the …Performance practices of the seventeenth and eighteenth centuries (1994)Performance practices of the …Anleitung zum Clavierspielen (1969)Anleitung zum ClavierspielenA treatise of good taste in the art of musick (1969)A treatise of good taste in t…Essay on the True Art of Playing Keyboard Instruments (1949)Essay on the True Art of Play…L'Art de toucher le Clavecin (1933)L'Art de toucher le ClavecinDie Ornamentik der Musik (1908)Die Ornamentik der MusikThe Performance of Beethoven's Trills (1976)Directions for Improvised Ornamentation in Italian Method Books of the Late Eighteenth Century (1978)The Cambridge Haydn Encyclopedia (2019)Performing Ornaments in English Virginal and Harpsichord Music (Based on the Study of Original Interpretation Instructions) (2020)Performing Ornaments in English Harpsichord Music. Part I (2021)A cross-cultural study of a circumplex model of affect. (1989)Tone and Voice: A Derivation of the Rules of Voice-Leading from Perceptual Principles (2001)The biology and evolution of music: A comparative perspective (2006)Cultural Contexts of Exclusion: Women College Band Directors (2003)Between theory and practice: comparative study of early music performances (2006)The dimensions of baroque music performance: a semantic differential study (2006)Heinrich Schenker as an Interpreter of Beethoven's Piano Sonatas (1984)"Like Beauty Spots on the Face of a Man": Gender in 18th-Century North-German Discourse on Genre (1995)Emotion and Motivation in the Lives of Performers (2010)Suite vs Sonata in the Baroque Era (2020)The performer and the composer (2012)Printing Piano Pedagogy: Experimental Psychology and Marie Jaëll's Theory of Touch (2020)The Cambridge History of Musical Performance (2012)
this work references cited by second hop

References

  • 2001The New Grove dictionary of music and musicians2,583 cited
  • 1949Essay on the True Art of Playing Keyboard Instruments112 cited
  • 1994Performance practices of the seventeenth and eighteenth centuries51 cited
  • 1969Anleitung zum Clavierspielen43 cited
  • 1996Performance Practices of the Seventeenth and Eighteenth Centuries29 cited
  • 1969A treatise of good taste in the art of musick16 cited
  • 1933L'Art de toucher le Clavecin15 cited
  • 1908Die Ornamentik der Musik12 cited
  • 2015Sébastien de Brossard’sDictionnaireof 1701: a comparative analysis of the complete copy7 cited
  • 1999Second livre de pièces de clavecin4 cited
  • 2016Premier livre de pièces de clavecin (1759)4 cited

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