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Von Kühen und Hasen. Der Tagtraum von der Autonomie »der« Musik (und einige Gedanken zu deren Eigenästhetik)
16 references·0 citing·33 second hop
Von Kühen und Hasen. Der Tagtraum von der Autonomie »der« Musik (und einige Gedanken zu deren Eigenästhetik) (2018)Von Kühen und Hasen. Der Tagtraum von der…Representing African Music (2014)Representing African MusicDie Autonomie des Klangs : eine Philosophie der Musik (2014)Die Autonomie des Klangs : ei…Absolute Music (2014)Absolute MusicDer Leib (2011)Der LeibMusical MeaningToward a Critical History (2001)Musical MeaningToward a Criti…Musicking: The Meanings of Performing and Listening (2000)Musicking: The Meanings of Pe…Meter and Grouping in African Music: A View from Music Theory (2000)Meter and Grouping in African…Ontologies of Music (1999)Ontologies of MusicDeconstructive Variations: Music and Reason in Western Society (1998)Deconstructive Variations: Mu…Für eine Poetologie des Wissens (1997)Für eine Poetologie des Wisse…Classical Music and Postmodern Knowledge (1997)Classical Music and Postmoder…Classical Music and Postmodern Knowledge (1995)Classical Music and Postmoder…The Soundscape: Our Sonic Environment and the Tuning of the World (1993)The Soundscape: Our Sonic Env…Representing African Music (1992)Representing African MusicNoise... The Political Economy of Music (1988)Noise... The Political Econom…The Tuning of the World (1983)The Tuning of the WorldThe Social Construction of Reality: A Treatise in the Sociology of Knowledge. (1967)Keywords: A Vocabulary of Culture and Society (1977)Infant Intersubjectivity: Research, Theory, and Clinical Applications (2001)The role of music in adolescents' mood regulation (2006)Music as emotional self-regulation throughout adulthood (2010)The Interpretation of Cultures (2017)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Soundscapes: Toward a Sounded Anthropology (2010)Beyond Representation and Signification: Toward a Sonic Materialism (2011)Music and Politics in Africa (2004)Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm (2006)Macro-Cultural Psychology (2012)The Keyboard Sonatas of Domenico Scarlatti and Eighteenth-Century Musical Style (2003)Deconstructin(g) Jazz Improvisation: Derrida and the Law of the Singular Event (2006)The End(s) of Genre (2013)Analysing popular music: theory, method and practice (1982)Pygmy POP. A Genealogy of Schizophonic Mimesis (1996)Senses of place: architectural design for the multisensory mind (2020)A Sweet Lullaby for World Music (2000)Doing anthropology in sound (2004)Classification as Culture: Types and Trajectories of Music Genres (2008)Presentation of Hermann Schmitz’ paper, “Atmospheric Spaces” (2016)Die Abwesenheit der Phänomenologie in der deutschen Humangeographie (2017)Leib und Situation. Zum Theorie- und Forschungsprogramm der Neophänomenologischen Soziologie (2017)Toward a Post-Humanist Organicism (2017)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Music and the Politics of Sound: Nationalism, Citizenship, and Auditory Space (2000)Theorizing Musical Meaning (2001)From lyric to anti-lyric: analyzing the words in pop song (2003)The Cambridge Companion to Opera Studies (2012)Action and Agency Revisited (2013)Enacting Musical Time (2019)
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References

  • 1993The Soundscape: Our Sonic Environment and the Tuning of the World2,494 cited
  • 2000Musicking: The Meanings of Performing and Listening1,330 cited
  • 1983The Tuning of the World706 cited
  • 1988Noise... The Political Economy of Music600 cited
  • 2014Absolute Music287 cited
  • 2014Representing African Music285 cited
  • 2001Musical MeaningToward a Critical History281 cited
  • 1995Classical Music and Postmodern Knowledge269 cited
  • 2011Der Leib235 cited
  • 1998Deconstructive Variations: Music and Reason in Western Society202 cited
  • 1992Representing African Music146 cited
  • 1997Classical Music and Postmodern Knowledge140 cited
  • 2000Meter and Grouping in African Music: A View from Music Theory131 cited
  • 1999Ontologies of Music100 cited
  • 1997Für eine Poetologie des Wissens43 cited
  • 2014Die Autonomie des Klangs : eine Philosophie der Musik32 cited

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