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Shedding light on the colours of medieval alabaster sculptures: Scientific analysis and digital reconstruction of their original polychromy
16 references·1 citing·30 second hop
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References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2000Vitruvius: ten books of architecture502 cited
  • 2007Pigment Compendium: A Dictionary of Historical Pigments470 cited
  • 2014Characterisation of colourants on illuminated manuscripts by portable fibre optic UV-visible-NIR reflectance spectrophotometry345 cited
  • 2009Organic Mass Spectrometry in Art and Archaeology309 cited
  • 2014Identification of pigments by multispectral imaging; a flowchart method257 cited
  • 1956The materials and techniques of medieval painting252 cited
  • 2008Characterisation of historical organic dyestuffs by liquid chromatography–mass spectrometry150 cited
  • 2014FORS Spectral Database of Historical Pigments in Different Binders119 cited
  • 2014Cinnabar reviewed: characterization of the red pigment and its reactions95 cited
  • 2016Raman spectroscopy of green minerals and reaction products with an application in Cultural Heritage research82 cited
  • 2016Analytical Approaches Based on Gas Chromatography Mass Spectrometry (GC/MS) to Study Organic Materials in Artworks and Archaeological Objects81 cited
  • 2016Characterisation of chemical components for identifying historical Chinese textile dyes by ultra high performance liquid chromatography – photodiode array – electrospray ionisation mass spectrometer

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79 cited
  • 2009Micro-analytical evidence of origin and degradation of copper pigments found in Bohemian Gothic murals76 cited
  • 2018An investigation of the dye palette in Chinese silk embroidery from Dunhuang (Tang dynasty)68 cited
  • Cited by

    • 2021Bordering on Asian Paintings: Dye Analysis of Textile Borders and Mount Elements to Complement Research on Asian Pictorial Art12 cited