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O (anti-)método de rítmica de José Eduardo Gramani: uma proposta para o equilíbrio entre o sensorial e o racional
5 references·0 citing·18 second hop
O (anti-)método de rítmica de José Eduardo Gramani: uma proposta para o equilíbrio entre o sensorial e o racional (2018)O (anti-)método de rítmica de José Eduard…Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm (2006)Structural Analysis or Cultur…Medieval Music and the Art of Memory (2005)Medieval Music and the Art of…The Cultural study of music: a critical introduction (2003)The Cultural study of music: …Meter in Music, 1600-1800. Performance, Perception, and Notation (1989)Meter in Music, 1600-1800. Pe…The Notation of Medieval Music (1958)The Notation of Medieval MusicWestern mathematics: the secret weapon of cultural imperialism (1990)African Polyphony and Polyrhythm (1991)Rhythmic Archetypes in Instrumental Music from Africa and the Diaspora (2010)Rhythmic Feel as Meter (2010)Representing African Music (2014)Form as Process: The Buildup Introduction in Popular Music (2015)Diagrammatic Reasoning and Modelling in the Imagination: The Secret Weapons of the Scientific Revolution (2000)Improvisation and Teaching (2007)Explaining Creativity (2023)What Makes an Audience? Investigating the Roles and Experiences of Listeners at a Chamber Music Festival (2005)Popular music education in and for itself, and for ‘other’ music: current research in the classroom (2006)Put to the test: For a new sociology of testing (2020)Extraordinary Measures (2011)ON THE TREATMENT OF PITCH IN EARLY MUSIC WRITING (2011)SINGING UPON THE BOOK ACCORDING TO VICENTE LUSITANO (2011)Myth, Science, and the Power of Music in the Early Decades of the Royal Society (2015)An Eighteenth-Century Theory of Musical Cognition? (2018)Layers and Elasticity in the Rhythm of Noh Songs (2019)
this work references cited by second hop

References

  • 2003The Cultural study of music: a critical introduction609 cited
  • 2005Medieval Music and the Art of Memory303 cited
  • 2006Structural Analysis or Cultural Analysis? Competing Perspectives on the “Standard Pattern” of West African Rhythm160 cited
  • 1958The Notation of Medieval Music86 cited
  • 1989Meter in Music, 1600-1800. Performance, Perception, and Notation54 cited

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